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| <html>
| | {{Two T1®s with Two L1®s |
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| | |Model=Model II |
| table {border:1px; width:600px;}
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| td {vertical-align:top}
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| </style>
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| </html>
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| === Standard Setup with Two Model II Systems ===
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| If you have two systems made of one Model II with T1® and a B1 or B2 bass module then set up like this.
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| [[Image:6692-02-ST.png]]
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| <table>
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| This is the ideal, the way the L1® System was designed to be used.
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| This allows you to give each performer control over his/her own sound.
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| The audience experiences the [[Cocktail Party Effect]]
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| </td><td>
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| It may be a challenge to get enough distance between the microphones and the L1®s
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| </td>
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| <tr>
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| </table>
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| === Shallow Stage Monitoring Issue ===
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| [[Image:6691-03-ST.png]]
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| <table>
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| Pushing the L1® out to the sides beside the performers allows more room for the performers on the stage.
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| </td><td>
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| Performers at the edges of the stage may have trouble hearing people on the opposite side of the stage.
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| </td>
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| <tr>
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| </table>
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| === Aux Output to Opposite Model II ===
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| [[Image:6690-02-ST.png]]
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| If you MUST do this, then for best results there should be at least 20 feet (6 meters) between the L1®s.
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| <table>
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| Allow better monitoring for performers so they can hear the performers on the other side of the stage.
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| Using Aux allows you to create a separate mix to be sent to the opposite side of the stage.
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| The Aux volume outputs from each channel can be controlled at the T1®
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| </td><td>
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| Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems
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| [[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass.
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| [[T1 ToneMatch® Audio Engine / Aux|T1 Aux Output]] - not difficult to set up, but inconvenient to manage during a live show.
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| [[T1_ToneMatch®_Audio_Engine_/_Aux#No_Reverb_on_Aux|No Reverb on Aux]] - the Aux output does NOT include Reverb effect.
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| </td>
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| <tr>
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| </table>
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| === Analog Master Output to Opposite Model II ===
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| [[Image:6690-03-ST.png]]
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| If you MUST do this, then for best results there should be at least 20 feet (6 meters) between the L1®s.
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| | |
| <table>
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
| |
| <td>
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| Allow better monitoring for performers so they can hear the performers on the other side of the stage.
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| | |
| Using Aux allows you to create a separate mix to be sent to the opposite side of the stage.
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| | |
| The Aux volume outputs from each channel can be controlled at the T1®
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| </td><td>
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| Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems
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| [[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass.
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| T1® Master Output is the same as the ToneMatch Port output - You will need to use the Model II Power Stand Analog Input Trim to control the volume across the stage.
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| </td>
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| <tr>
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| </table>
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