Bass Regeneration: Difference between revisions

Line 27:

* Get the highest signal possible to the microphones, thus reducing system gain – Sing and play strongly. Don’t play too loud, like through a mic’d guitar amp, so that you interfere with and spoil the sound distributed by the Bose Personalized Amplification System™. You will have to achieve a good balance between too loud and too soft.

* Mute open microphones that are not in use- Using your remote control, turn off your microphone if you don’t need to use it. This is just good practice. A noise gate will do this automatically, so try the ones we have provided in our presets.

* Mute open microphones that are not in use- Using your remote control (L1 Classic), turn off your microphone if you don’t need to use it. This is just good practice. A noise gate will do this automatically (ToneMatch mixers have a Noise Gate feature), so try the ones we have provided in our presets.

* Don’t play so loud. We’re so used to this artifact of the triple system (playing too loud) that we don’t think about it much. Your audience will appreciate it and so will you when your ears don’t ring. A nice benefit of playing softer is that you need less system gain. This results in less bass regeneration.

[[category:Bass]]

@@ Line 27: / Line 27: @@
 * Get the highest signal possible to the microphones, thus reducing system gain – Sing and play strongly.  Don’t play too loud, like through a mic’d guitar amp, so that you interfere with and spoil the sound distributed by the Bose Personalized Amplification System™. You will have to achieve a good balance between too loud and too soft.
-* Mute open microphones that are not in use- Using your remote control, turn off your microphone if you don’t need to use it.  This is just good practice.  A noise gate will do this automatically, so try the ones we have provided in our presets.
+* Mute open microphones that are not in use- Using your remote control (L1 Classic), turn off your microphone if you don’t need to use it.  This is just good practice.  A noise gate will do this automatically (ToneMatch mixers have a Noise Gate feature), so try the ones we have provided in our presets.
-* Don’t play so loud. We’re so used to this artifact of the triple system (playing too loud) that we don’t think about it much. Your audience will appreciate it and so will you when your ears don’t ring. A nice benefit of playing softer is that you need less system gain. This results in  less bass regeneration.
+* Don’t play so loud. We’re so used to this artifact of the triple system (playing too loud) that we don’t think about it much. Your audience will appreciate it and so will you when your ears don’t ring. A nice benefit of playing softer is that you need less system gain. This results in less bass regeneration.
 [[category:Bass]]