Microphone Feedback: Difference between revisions

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-Proper Gain Staging is essential to avoiding feedback. Please take 2 minutes to review this short video. Although this is based on the Classic and Model I, the principles are generally applicable.
+#REDIRECT [[Feedback / Microphone]]
+<!--
+Ken,
+Please make edits to the original article [[Feedback / Microphone]]
+and see comments in the discussion page for your temporary page for rationale [[Talk:Ken's Main Page (temporary)]]
+-->
+Thanks ST
+Please see comments in [[Talk:{{PAGENAME}}|discussion for this article]] [[User:ST|ST]] 12:24, 4 January 2009 (EST)
 == Gain Staging ==
-Take two minutes to watch this video by clicking on the picture.
+Take two minutes to watch this video by clicking on the picture below.
-If you are using an {{Classic}} or {{Model I}} follow the instructions exactly as Steve says. For other L1 models, the principles are still applicable.
+* If you are using an {{Classic}} or {{Model I}} follow the instructions exactly as shown in the video.
+* If you are using the {{T1}}, the principles are the same as shown on the video: simply substitute the trim on the T1 for the trim on the Classic or Model I. {{T1 icon}}
 {{Get Plugged In Microphone}}
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 === Techniques specific to the {{L1 family}} ===
 * All players should be playing / singing through the {{L1}} closest to them.
+* If you are using a {{T1}} it is often possible to use the parametric EQ section to notch the frequency that is causing feedback. You can find details in the article: [[Using the T1® to Control Microphone Feedback]]
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-<references/>
 [[category:Feedback]]
 [[category:Performance]]
 [[category:Reference]]