Template:L1 Pro FAQ: Difference between revisions
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| question = Where did these questions and answers come from? | |||
| answer = These are questions that come from people who use Bose L1 Pro systems. The answers are from Bose, authoritative sources, best practices in the field and first-hand experiences. | |||
}} | |||
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| question = How much coverage can I get? | |||
| answer = | |||
Several factors determine how large an area you can cover with your sound. | |||
* The distance to the listener farthest away | |||
* The noise level in the listening area | |||
* Walls and boundaries that affect reflections that support low frequencies | |||
Use the chart below to see the performance over distance of the different models. This will help you to predict how well you can be heard at a distance. | |||
{{#lst:Throw Over Distance | throw}} | |||
There is a lot more information, including comparisons to legacy models, in this article [[Throw Over Distance]] | |||
}} | |||
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|question = Are the columns made of plastic? <!-- What are the mid-high array and lower mid-high array made from? Metal mesh front and is rear metal or plastic? --> | |question = Are the columns made of plastic? <!-- What are the mid-high array and lower mid-high array made from? Metal mesh front and is rear metal or plastic? --> | ||
|answer = Arrays on all units feature an extruded aluminum sleeve. Perforated grille on the front, solid on the back. Source: [https://www.facebook.com/groups/BoseL1/posts/10161224768097446?comment_id=10161256043032446 Craig Small] | |answer = Arrays on all units feature an extruded aluminum sleeve. Perforated grille on the front, solid on the back. Source: [https://www.facebook.com/groups/BoseL1/posts/10161224768097446?comment_id=10161256043032446 Craig Small] | ||
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| | |question = Do the L1 Pro systems wobble? | ||
|answer = {{L1 Pro Wobble}} | |||
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==== New Owner Questions ==== | |||
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|question = How do I update the firmware? | |||
|answer = | |||
{{L1 Pro Firmware Overview}} <br>For more information see [[L1 Pro Firmware]] | |||
}} | |||
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| question = What is the Bose App and how do I get it? | |||
| answer = The Bose App allows you to control settings on the L1 Pro (volume/bass/treble/reverb) and access advanced features like ToneMatch Presets and Scenes. <br> | |||
{{Bose App icon}} | |||
}} | |||
}} | |||
==== Operating the L1 Pro General Questions ==== | |||
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| question = What is System EQ on the L1 Pro Power Stand? | |||
| answer = {{L1 Pro System EQ}} | |||
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|question = Can I swap the columns from different models? <!-- Are the column speaker arrays interchangeable between the different models? (L1 Pro8, L1 Pro16, L1 Pro32) --> | |question = Can I swap the columns from different models? <!-- Are the column speaker arrays interchangeable between the different models? (L1 Pro8, L1 Pro16, L1 Pro32) --> | ||
|answer = | |answer = | ||
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|question = L1 Pro32, can I use only the lower section of the array? | |||
|question = L1 Pro32, can I | |||
<!-- Can I operate the L1 Pro32 with only the lower section of the line array? Sometimes there is not sufficient height to use the full array --> | <!-- Can I operate the L1 Pro32 with only the lower section of the line array? Sometimes there is not sufficient height to use the full array --> | ||
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* You may need to turn up the volume louder than if you were using the full array. As a result, you increase the likelihood of feedback. | * You may need to turn up the volume louder than if you were using the full array. As a result, you increase the likelihood of feedback. | ||
}} | }} | ||
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=== ToneMatch Mixers (T1/T4S/T8S) and the L1 Pro === | |||
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| question = How do I connect a T4S to the L1 Pro | |||
| answer = | |||
In addition to the three inputs on the L1 Pro systems, you can add a T4S. When you do, | |||
* The inputs and controls on the T4S operate independently from the inputs and controls on the L1 Pro | |||
* The three inputs on the L1 Pro operate independently of the T4S. The operation of the controls of the L1 Pro is the same whether or not a T4S is connected via the ToneMatch port. | |||
You can connect from the T4S to one or two L1 Pro systems using the ToneMatch ports. | |||
For full details see: [[T4S to L1 Pro]] | |||
}} | |||
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| question = How do I connect a T8S to the L1 Pro | |||
| answer = | |||
In addition to the three inputs on the L1 Pro systems, you can add a T8S. When you do, | |||
* The inputs and controls on the T8S operate independently from the inputs and controls on the L1 Pro | |||
* The three inputs on the L1 Pro operate independently of the T8S. The operation of the controls of the L1 Pro is the same whether or not a T8S is connected via the ToneMatch port. | |||
You can connect from the T8S to one L1 Pro system using the ToneMatch port. There are also XLR and {{14TRS}} outputs. | |||
For full details see: [[T4S to L1 Pro]] | |||
}} | |||
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| question = How do I connect a T1 to an L1 Pro | |||
| answer = {{T1 to L1 Pro}} | |||
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The switch does '''not''' change input sensitivity or gain. <br>It affects only the ToneMatch Preset applied to the input. | The switch does '''not''' change input sensitivity or gain. <br>It affects only the ToneMatch Preset applied to the input. | ||
{{ToneMatch Switch}} | |||
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It only selects the ToneMatch Preset applied to the input. <br>It does '''not''' adjust the channel’s gain staging or level. | It only selects the ToneMatch Preset applied to the input. <br>It does '''not''' adjust the channel’s gain staging or level. | ||
{{ | {{ToneMatch Switch}} | ||
< | }} | ||
''' | {{FAQItem | ||
* ''' | |question = How do I connect a monitor? | ||
* ''' | |answer = | ||
* You can connect the '''L1 Pro Line Out''' to a monitor. | |||
<html><blockquote></html> | |||
{{L1 Pro Line Out}} | |||
<html></blockquote></html> | |||
* If you have an '''S1 Pro''', see [[L1 Pro to S1 Pro]] | |||
* If you have an '''S1 Pro+''', see [[L1 Pro to S1 Pro+]] | |||
* If you prefer to run your inputs to the '''S1 Pro+''' and send the output to the L1 Pro, see [[S1 Pro+ To L1 Pro]] | |||
* If you have a mixer, you may prefer to send the monitor mix from the mixer to the monitors instead of the L1 Pro Line Out | |||
The L1 Pro was designed to be placed behind the performers. | |||
If you can do that, you may not need a monitor — you should be able to hear yourself clearly. | |||
For more about that, see [[The L1® Approach and the History Of Amplification]]. | |||
}} | |||
{{FAQItem | |||
|question = How do I connect a third-party mixer? | |||
|answer = | |||
Use the '''Mixer Mono Output''' and connect it to '''L1 Pro Channel 3'''. | |||
If the mixer does not have a mono output, pan all inputs hard LEFT and use the LEFT output. We will now refer to that as the Mixer Mono Out. | |||
If the mixer has XLR outputs: | |||
: Mixer Mono Out → {{XLRTRS}} → L1 Pro Channel 3 | |||
If the mixer has {{14TRS}} outputs: | |||
: Mixer Mono Out → {{14TRS}} → L1 Pro Channel 3 | |||
For more details, see [[Mixer to L1 Pro]]. | |||
}} | }} | ||
{{FAQItem | {{FAQItem | ||
|question = Can I use XLR cables from my mixer into Channels 1 or 2? | |question = Can I use XLR cables from my mixer into Channels 1 or 2? | ||
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And yes, there are even pictures of this in the L1 Pro manuals. | And yes, there are even pictures of this in the L1 Pro manuals. | ||
However, using | However, using XLR‑to‑XLR connections from a mixer into Channels 1 or 2 can lead to problems. | ||
{{FAQItem | {{FAQItem | ||
|question = 1. Some mixers | |question = 1. Some mixers have a '''MIC/LINE''' or '''‑20 dB''' switch on the XLR output | ||
|answer = If your mixer | |answer = | ||
If your mixer can switch its XLR output to '''MIC''' or '''‑20 dB''', then engage that switch and the XLR‑to‑XLR connection should work. | |||
If not, use Mixer Mono Out → {{XLRTRS}} → L1 Pro Channel 3. | |||
}} | }} | ||
{{FAQItem | {{FAQItem | ||
|question = 2. Most mixer XLR outputs are line‑level, which is a poor match for the L1 Pro’s mic‑level XLR inputs | |question = 2. Most mixer XLR outputs are line‑level, which is a poor match for the L1 Pro’s mic‑level XLR inputs | ||
|answer = | |answer = | ||
This mismatch can cause: | This mismatch can cause: | ||
* Input clipping | * Input clipping | ||
* Harsh distortion | * Harsh distortion | ||
* Unpredictable behavior | * Unpredictable behavior | ||
}} | }} | ||
{{FAQItem | |||
|question = 3. You can sometimes “make it work,” but it’s not ideal | |question = 3. You can sometimes “make it work,” but it’s not ideal | ||
|answer = | |answer = | ||
You might avoid clipping by: | You might avoid clipping by: | ||
* Turning down the mixer output | * Turning down the mixer output | ||
* Turning down the L1 Pro channel volume | * Turning down the L1 Pro channel volume | ||
However: | However: | ||
* | * Lower mixer output reduces signal‑to‑noise ratio (more hiss) | ||
* | * Very low L1 Pro channel settings give almost no usable range | ||
* Volume may jump from too quiet → too loud with tiny adjustments | * Volume may jump from too quiet → too loud with tiny adjustments | ||
}} | }} | ||
{{FAQItem | |||
|question = 4. Channel 3 avoids all of these issues | |question = 4. Channel 3 avoids all of these issues | ||
|answer = | |answer = | ||
Channel 3 is designed for line‑level sources and provides: | Channel 3 is designed for line‑level sources and provides: | ||
* Proper level matching | * Proper level matching | ||
** Lower input sensitivity (less likely to clip/distort) | ** Lower input sensitivity (less likely to clip/distort) | ||
** Full +24 dBu headroom | ** Full +24 dBu headroom | ||
* Predictable behavior | * Predictable behavior | ||
** No ToneMatch presets | ** No ToneMatch presets | ||
** No Reverb | ** No Reverb | ||
** No DSP gain steps | ** No DSP gain steps | ||
This is why the recommended method is: | This is why the recommended method is: | ||
''Mixer | ;<big>'''Mixer Mono Out → {{XLRTRS}} → L1 Pro Channel 3'''</big> | ||
}} | }} | ||
}} | }} | ||
}} | }} | ||
{{FAQItem | |||
|question = Why are the {{14TRS}} inputs on Channels 1 and 2 louder than the {{14TRS}} input on Channel 3? | |||
|answer = | |||
By design, the input sensitivity of the Channel 3 {{14TRS}} input is lower than the {{14TRS}} inputs on Channels 1 and 2. | |||
This allows Channel 3 to handle '''line‑level''' sources with less risk of clipping. | |||
You can achieve the same overall output level from Channel 3, but you may need to turn the Channel 3 volume control higher to do it. | |||
This difference is most noticeable when connecting a third‑party mixer to the L1 Pro. | |||
People tend to hear louder as better, so you may prefer to use Channels 1 and 2 instead of 3, but you can get the same result by turning up the volume on Channel 3, leaving the other channels available. | |||
For more information, see [[Mixer to L1 Pro]]. | |||
}} | |||
}} | |||
=== Multiple L1 Pro Systems === | |||
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|question = What can I do with multiple L1 Pros? | |||
|answer = | |||
Multiple L1 Pros can be used together, but each system still operates independently. | |||
;What they can do | |||
* Pass audio from one unit to another using the '''L1 Pro Line Out''' (Daisy Chain) | |||
;: With a mixer | |||
* Play the same signal if you feed each unit from a mixer | |||
* Work as a stereo pair when fed LEFT and RIGHT outputs from a mixer | |||
'''What they can’t do''' | |||
* Share their internal inputs with each other | |||
* Combine all inputs from two units into one system | |||
* Link wirelessly over Bluetooth (Bluetooth is receive‑only) | |||
For details on specific setups, see the related questions below. | |||
}} | |||
{{FAQItem | |||
|question = How do I connect one L1 Pro to another L1 Pro (daisy chain)? | |||
|answer = | |||
Use {{XLRTRS}} to connect | |||
:'''From''' the first '''L1 Pro Line Out''' | |||
:'''To''' the second '''L1 Pro Channel 3''' {{14TRS}} input. | |||
For complete details, see [[L1 Pro Daisy Chain]]. | |||
}} | |||
{{FAQItem | |||
|question = Can I use Bluetooth to connect two L1 Pros? | |||
|answer = | |||
No | |||
L1 Pro systems can receive Bluetooth audio from a Bluetooth source (for example, a phone, tablet, or computer). | |||
They cannot send Bluetooth to another L1 Pro, and even if they could, the latency (delay) would make this unusable in a live sound setting. | |||
For more information see [[L1 Pro Daisy Chain]] | |||
}} | |||
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|question = Can I run two L1 Pros as a single mono system? | |||
|answer = | |||
You can send the output of one L1 Pro to another ([[L1 Pro Daisy Chain|Daisy Chain]]), but you can't send the output of the second one back to the first. | |||
That is: You cannot take the three inputs on each L1 Pro and hear all six inputs through both units. | |||
Each unit only plays the signals connected to its own inputs. | |||
If you want both L1 Pros to play the same mono mix, use a '''mixer''' and send the same output to each unit: | |||
:'''From''' the mixer '''Mono Output''' → '''L1 Pro (Left) Channel 3''' {{14TRS}} input | |||
:'''From''' the mixer '''Mono Output''' → '''L1 Pro (Right) Channel 3''' {{14TRS}} input | |||
This gives you two identical mono feeds, but the L1 Pros still operate as '''separate''' systems. | |||
For more details, see [[Dual Mono]]. | |||
}} | |||
{{FAQItem | |||
|question = How do I connect two L1 Pros for stereo? | |||
|answer = | |||
To run two L1 Pros in stereo, send the LEFT and RIGHT outputs from your mixer to each L1 Pro separately. | |||
:'''From''' the mixer '''LEFT Output''' → '''L1 Pro (Left) Channel 3''' {{14TRS}} input | |||
:'''From''' the mixer '''RIGHT Output''' → '''L1 Pro (Right) Channel 3''' {{14TRS}} input | |||
Each L1 Pro then reproduces its own channel (Left or Right), creating a stereo pair. | |||
For more details, see [[Mixer to L1 Pro]]. | |||
}} | |||
{{FAQItem | |||
|question = Can I connect my L1 Pros so they share inputs? | |||
|answer = | |||
No | |||
* You cannot take the three inputs on each L1 Pro and hear all six inputs through both units. | |||
* While you can daisy chain the inputs of the first L1 Pro to a second L1 Pro, you cannot send the inputs of the second L1 Pro back to the first. Doing so will create a feedback loop. | |||
For more details, see [[L1 Pro Daisy Chain]]. | |||
}} | |||
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=== Feedback Issues=== | |||
{{Feedback FAQ}} | |||