Template:Glossary L1 Pro: Difference between revisions
Created page with "<noinclude> This is an alphabetized glossary of technical terms used in Bose L1 Pro articles. </noinclude> == Glossary == ; Array (Line Array) : A vertical stack of small spea..." |
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; Cardioid Configuration | ; Cardioid Configuration | ||
: Subwoofer setup that directs bass forward and cancels it behind—ideal for stage control. [ | : Subwoofer setup that directs bass forward and cancels it behind—ideal for stage control. [[Sub1/Sub2#Cardioid_Mode|Cardioid Mode]] | ||
; Coverage Pattern | ; Coverage Pattern | ||
: The angle and shape in which sound spreads—Bose arrays offer 180° horizontal coverage. [ | : The angle and shape in which sound spreads—Bose arrays offer 180° horizontal coverage. [[Comparing_L1_Pro_Models]] | ||
; Coupling (Subwoofer) | ; Coupling (Subwoofer) | ||
: Positioning multiple subs close together to reinforce bass output through acoustic synergy. [ | : Positioning multiple subs close together to reinforce bass output through acoustic synergy. [[Sub_Comparison]] | ||
; Elevated Stage | ; Elevated Stage | ||
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; Feedback | ; Feedback | ||
: High-pitched squeal caused by audio looping between microphone and speaker. [ | : High-pitched squeal caused by audio looping between microphone and speaker. [[Microphone Feedback]] | ||
; Frequency Response | ; Frequency Response | ||
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; Venue Depth | ; Venue Depth | ||
: Measurement from the stage to the back of a room, important for estimating needed projection. [https://toonz.ca/bose/wiki/index.php?title=Two_L1_Pro8_or_One_L1_Pro16 Reference] | : Measurement from the stage to the back of a room, important for estimating needed projection. [https://toonz.ca/bose/wiki/index.php?title=Two_L1_Pro8_or_One_L1_Pro16 Reference] | ||
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Footnotes for Bose L1 Pro articles in alphabetical order. Include with <nowiki>{{Footnotes_L1_Pro}}</nowiki> | |||
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== Footnotes == | |||
# Bose systems output mono sound unless using dual setups for stereo imaging. [https://toonz.ca/bose/wiki/index.php?title=Two_L1_Pro8_or_One_L1_Pro16 Reference] | |||
# Cardioid bass configurations require Sub1 or Sub2 units with specific placement and settings. [https://toonz.ca/bose/wiki/index.php?title=Sub_Comparison Sub Comparison] | |||
# Feedback risk increases with improper mic placement or excessive gain—especially on reflective surfaces. [https://www.shure.com/en-US/performance-production/louder/what-is-audio-feedback Shure] | |||
# “Throw” refers to how far a speaker’s sound can project before losing definition or volume. [https://toonz.ca/bose/wiki/index.php?title=Throw_Over_Distance Throw Over Distance] | |||
# RaceTrack subwoofers deliver performance comparable to larger round subs, but in a space-saving form. [https://toonz.ca/bose/wiki/index.php?title=Sub_Comparison Sub Comparison] | |||
# Stereo setups with two L1 Pro8s or S1 Pro+ units enhance spatial depth but require careful panning and positioning. [https://toonz.ca/bose/wiki/index.php?title=Two_L1_Pro8_or_One_L1_Pro16 Reference] | |||
# ToneMatch processors (like the T4S or T8S) offer advanced mixing and are compatible with all L1 Pro systems. [https://toonz.ca/bose/wiki/index.php?title=ToneMatch_Mixers ToneMatch Mixers] | |||
# All L1 Pro systems feature three onboard mixer channels. Channels 1 & 2 support ToneMatch presets and reverb. [https://toonz.ca/bose/wiki/index.php?title=Comparing_L1_Pro_Models Reference] | |||