Dual Mono: Difference between revisions

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== Introduction ==
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This is amplifying the same sound source through two separate loudspeakers.
This article pertains to Dual Mono with all {{L1}} systems.
See:
=== {{L1}} Systems ===
The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.
===Non-{{L1}} Systems ===
The {{F1}} and {{S1}} systems have narrower horizontal dispersion. If you space those systems apart or aim them to avoid overlap, this article is not applicable.
           
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* [[Live or PreRecorded / Stereo and *-Mono]] Chris Ickler's report on listening tests with four L1&trade; and multiple B1 Bass modules.
==Dual Mono==


* [http://bose.infopop.cc/eve/forums/a/tpc/f/8766055944/m/217104153/r/656105263 Stereo vs. Mono in a Live Setting]
This is amplifying the same sound source through two separate loudspeakers.&nbsp;
* [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/6461092581/r/8621086581#8621086581 Dual mono is usually not a good idea]
* [[Can I Use It as a PA]]? (Cliff-at-Bose talks about Dual Mono)


Hilmar-at-Bose wrote:
:Dual mono (with the {{L1}} systems) is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization help more with clarity much more than the added gain.
:For a single performer/single source, it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent.
:-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998  Dual mono is usually not a good idea]
=== Gain Before Feedback ===
To optimize gain before feedback, each microphone should be heard through only one {{L1}}.
Feedback occurs when the sound from the loudspeaker (or loudspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice. As you increase the number of loudspeakers a microphone is connected to (e.g., dual mono), you increase the possible paths for feedback and lower the gain before feedback.
== Benefits of Two L1 Systems ==
{{Two L1 Systems}}
== Two L1 Systems Overlapping ==
{{:Two L1 Systems Overlapping}}
== Multiple Source Interference ==
{{:Multiple Source Interference}}
==Related reading==
*[[Can I Use It as a PA]]? (Cliff-at-Bose talks about Dual Mono)
* [[Two L1 Systems]]
*[http://bose.infopop.cc/eve/forums/a/tpc/f/8766055944/m/217104153/r/656105263 Stereo vs. Mono in a Live Setting]
*[[Live or PreRecorded / Stereo and *-Mono]] Chris Ickler's report on listening tests with four {{L1 nl}}s and multiple B1 Bass modules.
* [[Stereo / Mono / Distributed Systems]] Ken-at-Bose
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[[category:Nulls]]
[[Category:Mono]]
[[category:Phase]]
[[Category:Nulls]]  
[[category:Reference]]  
[[Category:Phase]]  
[[category:Terminology]]
[[Category:Reference]]  
[[Category:Terminology]]
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