Template:Two L1 Systems: Difference between revisions
mNo edit summary |
mNo edit summary |
||
| (5 intermediate revisions by the same user not shown) | |||
| Line 1: | Line 1: | ||
{{Model II icon}}{{Model 1S icon}}{{Compact icon}}{{L1 Pro icon}} | |||
<div style="max-width:800px"> | <div style="max-width:800px"> | ||
;Introduction | |||
: This discussion pertains to using two {{L1}} systems with the same sound source ([[:Dual Mono]]). For a discussion about stereo see [[Stereo / Mono / Distributed Systems]] | |||
;What is the benefit of using two {{L1}} systems over one? | ;What is the benefit of using two {{L1}} systems over one? | ||
: You will get more coverage (based on the distance between the {{L1}} systems) and an increase in loudness (but not double the loudness)<ref name=loudness>[http://www.sengpielaudio.com/calculator-levelchange.htm Loudness level gain volume perception dB factor volume conversion ...]</ref> . | : You will get more coverage (based on the distance between the {{L1}} systems) and an increase in loudness (but not double the loudness)<ref name=loudness>[http://www.sengpielaudio.com/calculator-levelchange.htm Loudness level gain volume perception dB factor volume conversion ...]</ref> . | ||
| Line 7: | Line 11: | ||
; How much gain do you get when you run two {{L1}} systems with the same source? | ; How much gain do you get when you run two {{L1}} systems with the same source? | ||
: Short answer +3 dB | : Short answer: +3 dB in practice | ||
; +6 dB in theory | ; +6 dB in theory | ||
| Line 13: | Line 17: | ||
* Sound waves add in space through the principle of [https://www.acs.psu.edu/drussell/demos/superposition/superposition.html superposition]. If the waves from two sources perfectly add, you get twice the amplitude, which is +6 dB. | * Sound waves add in space through the principle of [https://www.acs.psu.edu/drussell/demos/superposition/superposition.html superposition]. If the waves from two sources perfectly add, you get twice the amplitude, which is +6 dB. | ||
* To get the full +6 dB the two sources have to be spaced very closely together relative to a wavelength of sound. at 50 Hz, where the wavelength of sound is about 20' (about 7 meters) that's pretty easy to do. Massing your | * To get the full +6 dB the two sources have to be spaced very closely together relative to a wavelength of sound. at 50 Hz, where the wavelength of sound is about 20' (about 7 meters) that's pretty easy to do. Massing your bass modules is done for this reason -- to get the 6 dB per doubling of bass module systems. But at 1,000 Hz, where the wavelengths are 12 inches (about 30 cm) you just can't do get {{L1}} speakers close enough. As a result, you get something less than 6 dB because at some angles instead of the sound waves constructively adding they will destructively cancel (one will be partly or completely out of phase with the other). | ||
; +3 dB in practice | ; +3 dB in practice | ||
| Line 20: | Line 24: | ||
; Is +3 dB twice as loud? | ; Is +3 dB twice as loud? | ||
: No | : No | ||
*Doubling the power (+3 dB)is '''not''' twice as loud. | *Doubling the power (+3 dB)is '''not''' twice as loud. | ||
*A non-exact rule-of-thumb is that every 10 dB increase is a doubling of perceived loudness. <ref name=loudness></ref> | *A non-exact rule-of-thumb is that every 10 dB increase is a doubling of perceived loudness. <ref name=loudness></ref> | ||