Presets 2.0/Cliff Notes: Difference between revisions
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<big>''' | <big>'''Notes on Version 2.0 ToneMatch Presets: {{Classic}} and {{Model I}}'''</big> | ||
These originally appeared in [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/6621062011/r/6621062011 Presets 2.0 Anyone Listening] | {{Classic icon}}{{Model I icon}} | ||
These originally appeared in [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/6621062011/r/6621062011 Presets 2.0 Anyone Listening] by Cliff-at-Bose. Related notes: [[Presets Version 3.0 with T1 ToneMatch Audio Engine Equivalents|Presets Version 2.0 & 3.0 with T1 ToneMatch Audio Engine Equivalents]] | |||
Presets 2.0: | Presets 2.0 ({{Classic}} and {{Model I}}): | ||
== An informal discussion == | == An informal discussion == | ||
Listening to our customers and noting our own reactions to using this system, we have upgraded the current presets and added some new ones too. I basically did the work of developing these, simply by listening and tweaking the sound to be “right”. I think we have a really improved set here. This is an overview of these from what was, for me, a really fascinating experience. I hope these make your artistic lives better and better. | Listening to our customers and noting our own reactions to using this system, we have upgraded the current presets loaded onto later builds of the L1 Classic and L1 Model I and added some new ones too. I basically did the work of developing these, simply by listening and tweaking the sound to be “right”. I think we have a really improved set here. This is an overview of these from what was, for me, a really fascinating experience. I hope these make your artistic lives better and better. | ||
For more background on the ToneMatch Presets see [[Presets 1.0]] | |||
Here’s a complete list of the V2 presets for reference: | |||
== Presets 2.0 == | == Presets 2.0 == | ||
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== Prerecorded Music == | == Prerecorded Music == | ||
4. #57 is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno | 4. #57 is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so. | ||
== Basses == | == Basses == | ||