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<big>'''Presets 2.0 Anyone Listening? Cliff's Notes'''</big>  
<big>'''Notes on Version 2.0 ToneMatch Presets: {{Classic}} and {{Model I}}'''</big>
These originally appeared in [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/6621062011/r/6621062011 Presets 2.0 Anyone Listening]
{{Classic icon}}{{Model I icon}}
These originally appeared in [http://bose.infopop.cc/eve/forums/a/tpc/f/3976055944/m/6621062011/r/6621062011 Presets 2.0 Anyone Listening] by Cliff-at-Bose.  Related notes: [[Presets Version 3.0 with T1 ToneMatch Audio Engine Equivalents|Presets Version 2.0 & 3.0 with T1 ToneMatch Audio Engine Equivalents]]


Presets 2.0: An informal discussion
Presets 2.0 ({{Classic}} and {{Model I}}):
== An informal discussion ==


Listening to our customers and noting our own reactions to using this system, we have upgraded the current presets and added some new ones too. I basically did the work of developing these, simply by listening and tweaking the sound to be “right”. I think we have a really improved set here. This is an overview of these from what was, for me, a really fascinating experience. I hope these make your artistic lives better and better.
Listening to our customers and noting our own reactions to using this system, we have upgraded the current presets loaded onto later builds of the L1 Classic and L1 Model I and added some new ones too. I basically did the work of developing these, simply by listening and tweaking the sound to be “right”. I think we have a really improved set here. This is an overview of these from what was, for me, a really fascinating experience. I hope these make your artistic lives better and better.


First of all, here’s a complete list of the V2 presets for reference, lifted directly from our website:
For more background on the ToneMatch Presets see [[Presets 1.0]]


Personalized Amplification System™ family of products
Here’s a complete list of the V2 presets for reference:
Presets 2.0
 
== Presets 2.0 ==


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== Prerecorded Music ==
== Prerecorded Music ==
4. #57 is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calles it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so.
4. #57 is for prerecorded music at low level, for DJ’s and for break music at the gig. Sort of like the Fletcher-Munson (Tony Sarno calls it the “Herman Munster”) curve; bass and treble boost, just the right amount if you’re playing a 85 dB or so.


== Basses ==
== Basses ==