T1 ToneMatch® Audio Engine / Daisy Chain: Difference between revisions

m added notes about power supply and having a 3rd T1 and related discussion
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[[Image:T1x2IntoModelIIa.gif]]  
[[Image:T1x2IntoModelIIa.gif]]  


In this example we have two {{T1}}s. (T1®s)  
In this example, we have two {{T1}}s. (T1®s)  


#T1® on the left connected to the {{Model II}} through the {{ToneMatch}} port
#{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]]
#T1® on the right connected to the T1® on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4


This allows the performer using T1® #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
Use a balanced (Tip-Ring-Sleeve) cable if possible.


<br>
{{Balanced TRS
|Input= {{T1}} Master Output
|Output= {{T1}} Channel 4 or Channel 5


Notes:<br>
|discussion page = link to forum discussion (optional) e.g. discussion in the Bose Message Board


* T1® #2 will require the optional {{T1 ToneMatch® Audio Engine power supply}} <br>
}}


* It would be possible to have a third T1® connected to T1® #1 Channel 5<br>
If you use an unbalanced cable (Tip-Sleeve) between the first and second {{T1}}, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because you will have to turn up the volume on the second {{T1}} you will be amplifying the noise.


* Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br>  
 
 
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
 
<br>
 
Notes:<br>
 
*{{t1r}} #2 will require the optional [[T1 ToneMatch® Audio Engine power supply]]
*It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5
*Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br>
 
Here's how you can do the same thing with a {{Compact}}
 
[[Image:T1 Daisy Chain to Compact.png]]
 
In this example, we have two {{T1}}s. (T1®s)
 
#{{t1r}} on the left connected to  [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]] 
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4
 
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2
 
<br>
 
Notes:<br>
 
*{{t1r}} #1 and #2 will require a [[T1 ToneMatch® Audio Engine power supply]]
*It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5
*Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br>
 
<!--
Connect the second T1® to Compact Channel 2
 
So...
first T1®
1 - microphone
2 - guitar
4 - output from second T1® (Preset Utility Flat)
Master Output goes to Compact Channel 2
 
second T1®
1 - microphone
2 - guitar
 
Master Output of second T1® goes to first T1® Channel 4
 
This way each performer can have his/her own T1® and control his/her own mix.
 
The first T1® controls the overall volume.
 
-->


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[[Category:Connections]] [[Category:Stage_Layouts]] [[Category:T1]]
[[Category:Connections]]  
[[Category:Stage_Layout]]
[[Category:T1]]
[[Category:Daisy Chain]]