T1 ToneMatch® Audio Engine / Daisy Chain: Difference between revisions
mNo edit summary |
|||
| (8 intermediate revisions by the same user not shown) | |||
| Line 3: | Line 3: | ||
[[Image:T1x2IntoModelIIa.gif]] | [[Image:T1x2IntoModelIIa.gif]] | ||
In this example we have two {{T1}}s. (T1®s) | In this example, we have two {{T1}}s. (T1®s) | ||
#{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]] | #{{t1r}} on the left connected to the {{Model II}} through the [[ToneMatch® Port]] | ||
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | #{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | ||
Use a balanced (Tip-Ring-Sleeve) cable if possible. | |||
{{Balanced TRS | |||
|Input= {{T1}} Master Output | |||
|Output= {{T1}} Channel 4 or Channel 5 | |||
|discussion page = link to forum discussion (optional) e.g. discussion in the Bose Message Board | |||
}} | |||
If you use an unbalanced cable (Tip-Sleeve) between the first and second {{T1}}, you will have a lower signal to noise ratio than using a balanced cable (Tip-Ring-Sleeve). This means you will have more noise, and because you will have to turn up the volume on the second {{T1}} you will be amplifying the noise. | |||
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | ||
| Line 17: | Line 31: | ||
*It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5 | *It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5 | ||
*Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br> | *Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br> | ||
Here's how you can do the same thing with a {{Compact}} | |||
[[Image:T1 Daisy Chain to Compact.png]] | |||
In this example, we have two {{T1}}s. (T1®s) | |||
#{{t1r}} on the left connected to [[L1%C2%AE_Compact#Channel_2|Compact Channel 2]] | |||
#{{t1r}}on the right connected to the {{t1r}} on the left through the Master Analog ¼ inch jack to the other T1® Channel 4 | |||
This allows the performer using {{t1r}} #1 to control the overall volume of both T1®s. If the performer controlling T1® # does not adjust the volume of Channel 4, Changing the Master Volume maintains the relative balance between T1® #1 and T1® #2 | |||
<br> | |||
Notes:<br> | |||
*{{t1r}} #1 and #2 will require a [[T1 ToneMatch® Audio Engine power supply]] | |||
*It would be possible to have a third {{t1r}} connected to {{t1r}} #1 Channel 5 | |||
*Related discussion in the message board [http://bose.infopop.cc/eve/forums/a/tpc/f/8146026354/m/4711091695 T1® Daisy Chain]<br> | |||
<!-- | |||
Connect the second T1® to Compact Channel 2 | |||
So... | |||
first T1® | |||
1 - microphone | |||
2 - guitar | |||
4 - output from second T1® (Preset Utility Flat) | |||
Master Output goes to Compact Channel 2 | |||
second T1® | |||
1 - microphone | |||
2 - guitar | |||
Master Output of second T1® goes to first T1® Channel 4 | |||
This way each performer can have his/her own T1® and control his/her own mix. | |||
The first T1® controls the overall volume. | |||
--> | |||
---- | ---- | ||
| Line 23: | Line 78: | ||
[[Category:Stage_Layout]] | [[Category:Stage_Layout]] | ||
[[Category:T1]] | [[Category:T1]] | ||
[[Category:Daisy Chain]] | |||