T1 ToneMatch® Audio Engine / Aux: Difference between revisions

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=== Overview ===

[[Image:T1Aux.png|right]]

The output of any of the Channels 1, 2, 3, 4/5 can be sent to the Aux out. Tap points where you can set the output to the Aux.<ref name="AuxTap">Aux Tap Points from page 26 of the {{T1 Manual}}</ref>

The output of any of the Channels 1, 2, 3, 4/5 can be sent to the Aux out. You can take the Aux out to provide a separate mix for recording or running to another {{L1}} or separate amplification system.

Tap points where you can set the output to the Aux.<ref name="AuxTap">Aux Tap Points from page 26 of the {{T1 Manual}}</ref>

* Dry: After Preamp: The completely dry (no processing) signal is routed directly from the preamp stage.

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* Post: After Fader: The signal is routed after the Channel volume control with applied processing.

Excerpt from the ~~T1™~~ Manual

Excerpt from the {{T1 Manual}}

----

[[Image:T1ManualP26AuxRouting.png]]

----

[[Image:T1AuxOutput.png]]

=== Setting the Tap Point ===

=== No Reverb on Aux ===

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A: Hilmar-at-Bose writes<ref>Hilmar-at-Bose writes about [http://bose.infopop.cc/eve/forums/a/tpc/f/7521050644/m/4091082864?r=8551095774#8551095774 No Reverb on Aux]</ref>

: The {{T1}} has lots of different effects units and normally they are unique to each channel. That means that the ~~T1™~~ has 4 individual dynamic processors, 4 modulators (chorus flanger, phaser, etc.) , 4 EQs, 4 delay processors, etc. The only exception is the reverb, which is shared by all channels.

: The {{T1}} has lots of different effects units and normally they are unique to each channel. That means that the T1® has 4 individual dynamic processors, 4 modulators (chorus flanger, phaser, etc.) , 4 EQs, 4 delay processors, etc. The only exception is the reverb, which is shared by all channels.

:The AUX is also a per-channel control. That means if you turn up the AUX of channel, you expect to hear signals from channel 1 and only from channel 1. However, the output of the reverb processor contains the reverb portions of all 4 channels. If we add that to the Aux, you'd hear the reverb portions of all 4 channels and not only the channel that you are interested in. In most cases, this is probably not what you want.

:If you are familiar with conventional mixing consoles, you will find that the situation is quite similar. You can only route to an AUX output effects that are specific to a channel (normally these would be connected to the insert loop of this channel). The "shared" effects typically come into the board through an AUX return, which is not channel specific.

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What To Do:

* Check if the Aux output is configured for the desired tap point for each input channel. Refer to “Routing input signals to the Aux output” on page 26.<ref name="AuxTap">~~Routing input signals to the Aux output on page 26 of {{T1 Manual}}~~</ref>

* Check if the Aux output is configured for the desired tap point for each input channel. Refer to “Routing input signals to the Aux output” on page 26.<ref name="AuxTap"></ref>

Note: No reverb comes from the Aux output even if the tap point is Pre or Post.

* Verify that each input assigns the desired signal level to the Aux output.

=== Aux to a separate System ===

To direct an input exclusively to Aux see: [[T1 ~~ToneMatch™~~ Audio Engine/Aux to a Separate System]]

=== Aux Out to a {{S1}} ===

The Aux Out is balanced mono and suitable to connect to the {{S1}} Channel 1 or 2.

For best results use a 1/4 inch (6 mm) Tip-Ring-Sleeve cable. A 1/4 inch (6 mm) Tip-Sleeve cable will have up to -6dB lower signal and be more susceptible to line noise.

=== Aux Out to a separate System ===

==== Aux Out to Headphones ====

The Aux Out is balanced mono intended to be connected to the balanced input of another device at line-level. This may also work with headphones but the volume will be very low and likely not loud enough to be heard over live stage volume.

If you connect to a stereo input, the signals for Left and Right may cancel out. This might not be an issue for headphones as the Left and Right signals are not combined.

==== Aux Out to In-Ear-Monitors ====

The Aux Out is balanced mono intended to be connected to the balanced input of another device at line-level. This may also work with headphones but the volume will be very low and likely not loud enough to be heard over live stage volume.

If you use an In-Ear-Monitor system that has built-in amplification, this may work.

If you connect to a stereo input, the signals for Left and Right may cancel out. This might not be an issue for headphones as the Left and Right signals are not combined.

==== Input Directed to Aux Out Only ====

To direct an input exclusively to Aux see: [[T1 ToneMatch® Audio Engine / Aux to a Separate System]]

@@ Line 1: / Line 1: @@
+=== Overview ===
 [[Image:T1Aux.png|right]]
-The output of any of the Channels 1, 2, 3, 4/5 can be sent to the Aux out. Tap points where you can set the output to the Aux.<ref name="AuxTap">Aux Tap Points from page 26 of the {{T1 Manual}}</ref>
+The output of any of the Channels 1, 2, 3, 4/5 can be sent to the Aux out. You can take the Aux out to provide a separate mix for recording or running to another {{L1}} or separate amplification system.
+Tap points where you can set the output to the Aux.<ref name="AuxTap">Aux Tap Points from page 26 of the {{T1 Manual}}</ref>
 * Dry: After Preamp: The completely dry (no processing) signal is routed directly from the preamp stage.
@@ Line 6: / Line 10: @@
 * Post: After Fader: The signal is routed after the Channel volume control with applied processing.
-Excerpt from the T1™ Manual
+Excerpt from the {{T1 Manual}}
 ----
 [[Image:T1ManualP26AuxRouting.png]]
 ----
+[[Image:T1AuxOutput.png]]
+=== Setting the Tap Point ===
+{{:T1® Aux / Dry or Pre or Post}}
 === No Reverb on Aux ===
@@ Line 17: / Line 23: @@
 A: Hilmar-at-Bose writes<ref>Hilmar-at-Bose writes about [http://bose.infopop.cc/eve/forums/a/tpc/f/7521050644/m/4091082864?r=8551095774#8551095774 No Reverb on Aux]</ref>
-: The {{T1}} has lots of different effects units and normally they are unique to each channel. That means that the T1™  has 4 individual dynamic processors, 4 modulators (chorus flanger, phaser, etc.) , 4 EQs, 4 delay processors, etc. The only exception is the reverb, which is shared by all channels. <br />
+: The {{T1}} has lots of different effects units and normally they are unique to each channel. That means that the T1<sup>®</sup>  has 4 individual dynamic processors, 4 modulators (chorus flanger, phaser, etc.) , 4 EQs, 4 delay processors, etc. The only exception is the reverb, which is shared by all channels. <br />
 :The AUX is also a per-channel control. That means if you turn up the AUX of channel, you expect to hear signals from channel 1 and only from channel 1. However, the output of the reverb processor contains the reverb portions of all 4 channels. If we add that to the Aux, you'd hear the reverb portions of all 4 channels and not only the channel that you are interested in. In most cases, this is probably not what you want.<br />
 :If you are familiar with conventional mixing consoles, you will find that the situation is quite similar. You can only route to an AUX output effects that are specific to a channel (normally these would be connected to the insert loop of this channel). The "shared" effects typically come into the board through an AUX return, which is not channel specific.
@@ Line 28: / Line 34: @@
 What To Do:
-* Check if the Aux output is configured for the desired tap point for each input channel. Refer to “Routing input signals to the Aux output” on page 26.<ref name="AuxTap">Routing input signals to the Aux output on page 26 of {{T1 Manual}}</ref>
+* Check if the Aux output is configured for the desired tap point for each input channel. Refer to “Routing input signals to the Aux output” on page 26.<ref name="AuxTap"></ref>
 Note: No reverb comes from the Aux output even if the tap point is Pre or Post.
 * Verify that each input assigns the desired signal level to the Aux output.
-=== Aux to a separate System ===
-To direct an input exclusively to Aux see: [[T1 ToneMatch™ Audio Engine/Aux to a Separate System]]
+=== Aux Out to a {{S1}} ===
+The Aux Out is balanced mono and suitable to connect to the {{S1}} Channel 1 or 2.
+For best results use a 1/4 inch (6 mm) Tip-Ring-Sleeve cable. A 1/4 inch (6 mm) Tip-Sleeve cable will have up to -6dB lower signal and be more susceptible to line noise.
+{{:S1 Pro with T1}}
+=== Aux Out to a separate System ===
+==== Aux Out to Headphones ====
+The Aux Out is balanced mono intended to be connected to the balanced input of another device at line-level. This may also work with headphones but the volume will be very low and likely not loud enough to be heard over live stage volume.
+If you connect to a stereo input, the signals for Left and Right may cancel out. This might not be an issue for headphones as the Left and Right signals are not combined.
+==== Aux Out to In-Ear-Monitors ====
+The Aux Out is balanced mono intended to be connected to the balanced input of another device at line-level. This may also work with headphones but the volume will be very low and likely not loud enough to be heard over live stage volume.
+If you use an In-Ear-Monitor system that has built-in amplification, this may work.
+If you connect to a stereo input, the signals for Left and Right may cancel out. This might not be an issue for headphones as the Left and Right signals are not combined.
+==== Input Directed to Aux Out Only ====
+To direct an input exclusively to Aux see: [[T1 ToneMatch® Audio Engine / Aux to a Separate System]]