Bose L1® Musicians Conference Fall 2006/Agenda/Details: Difference between revisions
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:* Tom Munch: voice, guitar | :* Tom Munch: voice, guitar | ||
:* Cliff Henricksen: acoustic piano | :* Cliff Henricksen: acoustic piano | ||
:* Andrew Douglas and Charles Mitchell: bass, 12-string acoustic and drum machine, vocals | |||
== Monday Night 8:00 pm == | == Monday Night 8:00 pm == | ||
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== OLDGHM | == OLDGHM: Vocal Microphones == | ||
See [http://bose.infopop.cc/eve/forums/a/tpc/f/1266055944/m/4191078963?r=5101000073#5101000073 this post] as one of many from oldghm on the subject of vocal microphones. | See [http://bose.infopop.cc/eve/forums/a/tpc/f/1266055944/m/4191078963?r=5101000073#5101000073 this post] as one of many from oldghm on the subject of vocal microphones. | ||
We had this on the agenda for the Big Sur Conference but never got to it. | We had this on the agenda for the Big Sur Conference but never got to it. | ||
== Cliff Goodwin: Composing, Arranging, and Performing in an L1™ World == | |||
== Cliff Goodwin: Arranging | Cliff was music director and guitarist for the Joe Cocker Band (live and studio) for twelve years. He developed and plays guitar in The Linemen, the ensemble that introduced the L1 system to the world in 2004-2004. | ||
Cliff was music director and guitarist for the Joe Cocker Band (live and studio) for twelve years. He developed and plays guitar in The Linemen, the ensemble that introduced the L1 | |||
The L1 approach solved the problem for many, including those attending the conference, of Hearing Together. Now there's so much to learn about Playing Together. | The L1 approach solved the problem for many, including those attending the conference, of Hearing Together. Now there's so much to learn about Playing Together. | ||
The | The format for this presentation will be for Ken Jacob to ask Cliff Goodwin questions and for Cliff to give his thoughts and seek those of the audience. | ||
A few topics sure to come up are: | |||
* Exploiting the lateral (left to right) field | |||
* Getting out of each others' way | |||
* Modesty | |||
* Making every sound mean something | |||
* Supporting the vocalist | |||
* Supporting a soloist | |||
* Space, and musical holes | |||
* Designing a set list | |||
== Chuck Nemitz: Electric Guitar Tone & the L1 == | == Chuck Nemitz: Electric Guitar Tone & the L1™ == | ||
Chuck would demonstrate the values/shortcomings of using conventional amps, various micing techniques, modelers (amp and/or guitar), ups and downs of using time-based effects, etc. | Chuck would demonstrate the values/shortcomings of using conventional amps, various micing techniques, modelers (amp and/or guitar), ups and downs of using time-based effects, etc. | ||
== Andrew Douglas: Using the L1 for Electric Bass == | == Andrew Douglas: Using the L1™ for Electric Bass == | ||
An opportunity to hear an L1 system rigged as an electric bass amplifier, compared to a high quality conventional amp. A demonstration of a hybrid system (L1 plus conventional amp) is also planned. Direct comparison of a 2B1 system vs. a 4B1/Packlite system. | An opportunity to hear an L1 system rigged as an electric bass amplifier, compared to a high quality conventional amp. A demonstration of a hybrid system (L1 plus conventional amp) is also planned. Direct comparison of a 2B1 system vs. a 4B1/Packlite system. | ||
The basic agenda (not final) is this: | |||
* Intro | |||
* Discussion of the case for/against using the L1 to amplify electric bass. | |||
* With assistance from Mike Zartarian of Bose, live demonstrations of a conventional bass rig (Eden), conventional rig-plus L1 (hybrid) and all-Bose rig, set up to emulate the Eden and also without emulation. I'm going to try to set these up as A/B comparisons where appropriate. | |||
* Discussion/demo of different ways to get tone (BassPOD emulation vs. Bose presets vs. preamps, the effect of BassPOD cabinet/mic simulation selection on tone). More A/B if time permits. | |||
* Discussion of "thump" and A/B demo of 2 vs. 4 B1s | |||
* Q&A | |||
== Hilmar Lehnert: why the laws of physics always punish the poor bass player (proposed) == | == Hilmar Lehnert: why the laws of physics always punish the poor bass player (proposed) == | ||
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A 100 dB is a 100 dB right ? (wrong !!) | A 100 dB is a 100 dB right ? (wrong !!) | ||
== ST: | |||
== ST: Changing Expectations of Live Music == | |||
Why do we do what we do, and ways that we leverage our reach, to do it. | |||
Discussion boards, sketcher, wikis; and supporting L1™ owners online. | Discussion boards, sketcher, wikis; and supporting L1™ owners online. | ||
The {{LMTG}} has one of the most active and healthy online communities on the web. We can be talking about where it has been and where it may be going - taking advantage of some of new (to us) online collaboration tools. | The {{LMTG}} has one of the most active and healthy online communities on the web. We can be talking about where it has been and where it may be going - taking advantage of some of new (to us) online collaboration tools. | ||
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[[Category:Bose L1® Musicians Conference Fall 2006]] | |||