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| | {{Two T1®s with Two L1®s |
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| | |Model=Model II |
| .procon {border:1px; width:600px;padding:10px;}
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| td {vertical-align:top;padding:5px}
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| </style>
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| In most situations, if you have two or more {{l1 nl}}s, you will want to run each sound source (microphone or instrument) to just one {{l1 nl}}, typically the closest one. Sometimes people want to connect two {{l1 nl}} together. This is [[Dual Mono]] and not generally recommended except in very specific applications (see [[Stereo_/_Mono_/_Distributed_Systems|Stereo / Mono / Distributed systems]]. If you want to run [[Dual Mono]] Bose recommends that the {{l1 nl}}s are at least 20 feet apart (6 meters). The following notes show the recommended way of setting up two {{l1 nl}} systems (Model 1S or Model II complete with {{t1 nl}} and bass module.
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| === Standard Setup with Two II Systems ===
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| If you have two systems made of one Model II with T1® and a B1 or B2 bass module then set up like this.
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| [[Image:6692-02-ST.png]]
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| <table class="procon">
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| This is the ideal, the way the L1® System was designed to be used.
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| This allows you to give each performer control over his/her own sound.
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| The audience experiences the [[Cocktail Party Effect]]
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| </td><td>
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| It may be a challenge to get enough distance between the microphones and the L1®s
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| </td>
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| <tr>
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| </table>
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| === Shallow Stage Monitoring Issue ===
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| [[Image:6691-03-ST.png]]
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| <table class="procon">
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| Pushing the L1® out to the sides beside the performers allows more room for the performers on the stage.
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| </td><td>
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| Performers at the edges of the stage may have trouble hearing people on the opposite side of the stage.
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| </td>
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| <tr>
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| </table>
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| === Aux Output to Opposite Model II ===
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| [[Image:6690-02-ST.png]]
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| If you MUST do this, then for best results there should be at least 20 feet (6 meters) between the L1®s.
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| <table class="procon">
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| Allow better monitoring for performers so they can hear the performers on the other side of the stage.
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| Using Aux allows you to create a separate mix to be sent to the opposite side of the stage.
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| The Aux volume outputs from each channel can be controlled at the T1®
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| </td><td>
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| Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems
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| [[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass.
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| [[T1 ToneMatch® Audio Engine / Aux|T1 Aux Output]] - not difficult to set up, but inconvenient to manage during a live show.
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| [[T1_ToneMatch®_Audio_Engine_/_Aux#No_Reverb_on_Aux|No Reverb on Aux]] - the Aux output does NOT include Reverb effect.
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| See also: [[Dual Mono]]
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| </td>
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| <tr>
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| </table>
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| ==== T1 Aux Output ====
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| {{#Click:T1 ToneMatch® Audio Engine / Aux|Image:T1AuxOutput.png|T1 Aux Output}}
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| Please click the picture above for detailed instructions on how to set up the Aux mix.
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| ==== Model II Analog Input ====
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| {{#lst:T1 ToneMatch® Audio Engine / Connections to Model II|AnalogInput}}
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| === Analog Master Output to Opposite Model II ===
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| [[Image:6690-03-ST.png]]
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| If you MUST do this, then for best results there should be at least 20 feet (6 meters) between the L1®s.
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| <table class="procon">
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| <tr><th>Pro</th><th>Con</th><tr>
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| <tr>
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| <td>
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| Allow better monitoring for performers so they can hear the performers on the other side of the stage.
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| Simpler setup on the {{t1 nl}} because you don't have to set up a separate mix as you would using Aux (above).
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| The Master Output is the same as the mix being sent through the ToneMatch port so it includes all effects including reverb.
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| </td><td>
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| Decreased gain before feedback (greater likelihood of feedback). More microphones per system, and each microphone is heard through two systems
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| [[Multiple Source Interference]] - hollow or ringy sounding vocals, uneven distribution of the bass.
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| T1® Master Output is the same as the ToneMatch Port output - You will need to use the Model II Power Stand Analog Input Trim to control the volume across the stage.
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| If you use reverb and have it coming out of both sides of the stage, this can further decreased gain before feedback (greater likelihood of feedback).
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| See also: [[Dual Mono]]
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| </td>
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| <tr>
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| </table>
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| ==== T1 Master Output ====
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| {{#Click:T1 ToneMatch® Audio Engine#.C2.BC_inch_jack_Output_Connections|Image:T1MasterOutput.png|T1 Master Output.}}
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| Please click the picture above for detailed instructions on how to set up the use the Master Output.
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| ==== Model II Analog Input ====
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| {{#lst:T1 ToneMatch® Audio Engine / Connections to Model II|AnalogInput}}
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