L1® Unofficial Performers' Guide: Difference between revisions
mNo edit summary |
m ST moved page L1® Unofficial Performers' Guide to L1® Unofficial Performers' Guide |
||
| (8 intermediate revisions by 2 users not shown) | |||
| Line 4: | Line 4: | ||
for the {{PAS}}. | for the {{PAS}}. | ||
If you will be using the Bose System for the first, second, or third time and are looking for quick-hit things you need to know you are in the right place. This is for you in the role of performer who may or may not actually own an | If you will be using the Bose System for the first, second, or third time and are looking for quick-hit things you need to know you are in the right place. This is for you in the role of performer who may or may not actually own an L1® System. <!-- TODO Initially, I will write this with the solo or duo act in mind. There may be another version later for larger ensembles. --> | ||
If you just got your new System then you will want to check out the [[L1™ Unofficial Users' Guide]] which covers things that System owners like to know. | If you just got your new System then you will want to check out the [[L1™ Unofficial Users' Guide]] which covers things that System owners like to know. | ||
<table border="0"> | <table border="0" cellpadding="5"> | ||
<tr> | <tr> | ||
<td width="40%">__TOC__</td> | <td width="40%">__TOC__</td> | ||
| Line 28: | Line 28: | ||
[[L1® System Benefits]] | [[L1® System Benefits]] | ||
{{AddThis}} | |||
</td> | |||
<td valign="top"> | |||
{{Search Box}} | |||
{{L1 Family Image}} | |||
</td> | </td> | ||
</tr> | </tr> | ||
| Line 36: | Line 44: | ||
{{Model II icon}}{{Model I icon}}{{Classic icon}} | {{Model II icon}}{{Model I icon}}{{Classic icon}} | ||
If you are stepping onto the stage and someone has made all the connections for you skip down to the section about [[{{PAGENAME}}#Performing|Performing]]. | If you are stepping onto the stage and someone has made all the connections for you skip down to the section about [[{{PAGENAME}}#Performing|Performing]]. | ||
=== Physical Assembly === | |||
{{Classic Model I Basic Setup}} | |||
=== Microphone Setup === | === Microphone Setup === | ||
| Line 47: | Line 58: | ||
Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder, or a horn line. | Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder, or a horn line. | ||
Several instruments or instruments and voices can be amplified simultaneously with complete independence of tone and no corruption of any kind, other than having everything come from one source. Always try to take advantage of the | Several instruments or instruments and voices can be amplified simultaneously with complete independence of tone and no corruption of any kind, other than having everything come from one source. Always try to take advantage of the ToneMatch® preset feature. | ||
{{Model I icon}}{{Classic icon}} | {{Model I icon}}{{Classic icon}} | ||
| Line 96: | Line 107: | ||
=== | === ToneMatch® Presets === | ||
{{Model II icon}}{{Model I icon}}{{Classic icon}} | {{Model II icon}}{{Model I icon}}{{Classic icon}} | ||
* Presets are used to get the best possible sound from your inputs. They are not meant to make something sound like something else (like Guitar processor or instrument patches). Note: The presets for vocal microphones are based on using ''close microphone'' techniques. | * Presets are used to get the best possible sound from your inputs. They are not meant to make something sound like something else (like Guitar processor or instrument patches). Note: The presets for vocal microphones are based on using ''close microphone'' techniques. | ||