L1® Unofficial Performers' Guide: Difference between revisions

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<big>'''The Unofficial Performers' Guide'''</big>

for the {{PAS}}.

If you will be using the Bose System for the first, second, or third time and are looking for quick-hit things you need to know you are in the right place. This is for you in the role of performer who may or may not actually own an L1® System.

If you just got your new System then you will want to check out the [[L1™ Unofficial Users' Guide]] which covers things that System owners like to know.

<tr>

[[Image:Bose-Mon8.jpg|Ashland MA Bose-East event photo by Drumr]]

[[Image:Bose-Ashby34.jpg|Ashland MA Bose-East event photo by Drumr]]

[[Image:Bose-Mon2.jpg|Ashland MA Bose-East event photo by Drumr]]

<!--

not sure this belongs here or on a separate page, but I converted it to a template so we can present it in several places if we want

-->

~~for the Bose® Personalized Amplification System™ family of products.~~

<br />

~~If you will be using the Bose~~ System for the first, second, or third time and are looking for quick-hit things you need to know you are in the right place. This is for you in the role of performer who may or may not actually own a System. Initially, I will write this with the solo or duo act in mind. There may be another version later for larger ensembles later.

[[L1® System Benefits]]

~~If you just got your new System then you will want to check out the [[L1™ Unofficial Users' Guide]] which covers things that System owners like to know.~~

Note: This document is under development. I'm planning to fill it in over the next couple of weeks so if there are bullet points without links that means that I'm working on the content. This is a collaborative effort so for now, the incomplete points are a part of a casual outline.

~~== L1™ System Benefits ==~~

</td>

~~The Bose~~<~~sup~~>®<~~/sup~~> ~~Personalized Amplification System™ family of products~~

~~FOR MUSICIANS:~~

* Performance and enjoyment dramatically improve because musicians no longer struggle to hear themselves or each other.

</td>

* As in the case of an unamplified performance, the sound is under the control of the musicians, and no one else. As a result, musicians no longer wonder how they sound to their fellow musicians or to their audiences.

</tr>

* Personalized Amplification System™ products are carried and set up in minutes, not hours, thus freeing musicians from the time-consuming, draining, and frustrating effort required to properly set up conventional amplifiers, monitors, mixers, and PA equipment.

</table>

* A close, personal relationship with Bose, one where knowledgeable and courteous employees can be reached easily, and where a new standard of customer service is enjoyed.

~~FOR AUDIENCES:~~

== Setting Up ==

* The enhanced performance of the musicians creates the kind of excitement and emotion that music lovers say they value more than anything else.

* Musicians hear what their audiences hear – and thus are ~~unlikely to play at uncomfortable sound levels. The music is naturally dynamic – everything from~~ the ~~softest to the most intense passage can be heard~~ and ~~enjoyed.~~

If you are stepping onto the stage and someone has made all the connections for you skip down to the section about [[{{PAGENAME}}#Performing|Performing]].

* Audience members report that the ~~clarity and excitement that come from hearing the accurate reproduction of sound from each instrument, and from hearing~~ the ~~sound of each instrument in its position on stage (as opposed to a mono or even stereo mix of all instruments) is unlike anything they have heard before in an amplified performance~~.

== ~~Setting up~~ ==

=== Physical Assembly ===

~~If you are stepping onto the stage and someone has made all the connections for you skip down to the section about Performing.~~

=== Microphone Setup ===

~~=== Connections ===~~

~~<!-- TODO review fix links~~

=== Multiple Performers Sharing One {{L1 no link}} System ===

* Connections General Overview

* Connection Examples:

Electric guitarists used to play and sing through their amps, but this soon stopped when they started to concentrate on the tone of their guitars. Now, few musicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone. This is probably true for guitar amplifiers playing at heavy distortion levels (voice will be heavily modulated due to clipping). But it is not true of an {{L1 no link}} loudspeaker.

-->

Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder, or a horn line.

Several instruments or instruments and voices can be amplified simultaneously with complete independence of tone and no corruption of any kind, other than having everything come from one source. Always try to take advantage of the ToneMatch® preset feature.

For instance, if you are doing a “single” and have a drum machine and/or sequencer driving a bunch of MIDI modules, use channels 1 and 2 for personal-preference preset settings, like your vocal microphone and, say, an acoustic guitar with a pickup. Then use an external mixer, which you probably have if this example describes your musical work, and put it into channel 3 or 4.

=== Connections General Examples ===

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==== Interactive Tour of the Inputs and Outputs ====

=== Connections for a Soloist ===

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<br />

</html>

=== Soloist with Backing Tracks ===

=== Connections for a Duo ===

<html>

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</html>

-->

=== Quick Hookup Guide ===

* [http://bose.infopop.cc/eve/forums/a/ga/ul/2501026994/hookupGuide_v081705.pdf Quick Hookup Guide] - Print this and keep it handy (especially for people unfamiliar with the system). This is a 6 page pdf document, that you can print and leave at any venue that provides an L1™ Classic or Model I for performers to use. It includes most of the information above.

=== B1 Cables (blue) ===

* Make sure the Speakon cables (blue) are really connected. Insert and turn clockwise. There should be an audible click. You should have to slide the silver lock and twist counterclockwise to remove the cable. If you can remove it without a twist, it is not really connected.

~~=== Presets ===~~

* Presets are used to get the best possible sound from your inputs. They are not meant to make something sound like something else (like Guitar processor or instrument patches). The presets for vocal microphones are based on using close mic techniques.

=== ToneMatch® Presets ===

* Presets are used to get the best possible sound from your inputs. They are not meant to make something sound like something else (like Guitar processor or instrument patches). Note: The presets for vocal microphones are based on using ''close microphone'' techniques.

* [[Gain Staging]]

* [[:category:Mixer|Mixers]] Connection suggestions for specific mixers.

* [[Effects]]

* [[:Category:Effects PS1 Powerstand|Effects]] Connection notes for several different makes and models

If the stage is already set up, then it is time to talk about performing.

== Performing ==

=== Hearing yourself ===

This is a different approach to amplifying your sound. The sound of your voice and/or instrument will come from an {{L1 CR}} located 5-10 feet behind you. Unlike conventional approaches, you will not be behind the main speakers going to the room.

This is a different approach to amplifying your sound. There is typically only one amplified version of your sound entering the room. That will be the Cylindrical Radiator®. Typically it will be set up behind you. Unlike conventional approaches, you will not be behind the main speakers going to the room.

How does it sound? - It may seem unusual for a few minutes because you are hearing yourself in much the same way the audience is hearing you. This is a big difference because you will be hearing yourself in the context of the room instead of out of context in the monitor. ... [[Hearing Yourself|full article]]

How does it sound? - It may seem unusual for a few minutes because you are hearing yourself in much the same way the audience is hearing you. This is a big difference because you will be hearing yourself in the context of the room instead of out of context in the monitor.

Where do I stand? - Usually in front of the Cylindrical Radiator®. Sometimes beside it. If you are in front of it, an ideal would be approximately 7-10 feet. This is easy to work out if you have the standard 15 foot cable. Assuming you have the Remote mounted on your mic stand, the cable should be a straight run back to the Power Stand.

~~Where is the monitor? - No monitor required~~. ~~You will be hearing yourself through the same Cylindrical Radiator® that the audience is hearing~~.

~~Where is the reverb? - This is typically not required because you will be hearing the natural reverb in the room not a monitor mix from a floor wedge.~~

Hearing Yourself ~~with the Bose...~~

=== Mixing Yourself In Ensemble ===

Using a typical [[Triple Amplification System|triple amplification system]], a professional front-of-house mixer rides vocals, varies the level of horn sections and rides (and often misses) lead solos. They do this because they and not you can hear a mix over the mains “out front”. ... [[Mixing Yourself|full article]]

=== Microphone Technique ===

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Line 132:

You will probably find that you hear yourself better with this system than in other live music situations. If you are new to the experience, you may want to back off from the microphone. Try this instead. Get up closer to the mic. Relax and get used to hearing yourself. You will find it is easier to sing when you can hear.

"Many owners, myself included, have found singing through {{L1}}s to be reminiscent of singing in unamplified groups (big family, in my case), but different, sonically better. Unamplified, we control our timbre and dynamics with just our bodies - No mics to ''technique''. With the {{L1}}, staying ''on the mic'' (the simplest of techniques) allows us to sing that way, using our ''head to toes'' as our preamp and our ''lungs'' as our volume control. Here's where it gets better - With much more available volume, therefore much more dynamic range and coverage way out into the room, we can still bring it down to that unamplified-level whisper (and everyone, singers and audience, can hear every nuance - I love that!), then bring it back up to the brink of ''ouch''! Very expressive. Very musical..." - - Chuck-at-Bose

=== Feedback ===

Feedback occurs when sound coming from the Cylindrical Radiator® is reintroduced into the System and amplified again. You typically hear either a high pitched squeal or a low pitched howl. The first usually comes from a vocal microphone and the second is more likely from an acoustic instrument like a Guitar.

Line 147:

Line 185:

=== Practice Your Microphone Technique ===

If you are a vocalist, one of the single most important things you can do is practice your microphone technique. You get the best ~~gain-before-feedback~~ using close ~~micing~~. The presets for vocal mics are designed for close micing.

If you are a vocalist, one of the single most important things you can do is practice your microphone technique. You get the best [[Gain Before Feedback]] using close microphone technique. The presets for vocal mics are designed for that (close micing) technique.

== Troubleshooting ==

{{:Troubleshooting}}

== Working with Others ==

[[Introducing Performers to the Bose System]]

[[category:Feedback]]

[[category:Performance]]

@@ Line 1: / Line 1: @@
+__NOEDITSECTION__
 <big>'''The Unofficial Performers' Guide'''</big>
+for the {{PAS}}.
+If you will be using the Bose System for the first, second, or third time and are looking for quick-hit things you need to know you are in the right place. This is for you in the role of performer who may or may not actually own an  L1® System. <!-- TODO Initially, I will write this with the solo or duo act in mind. There may be another version later for larger ensembles. -->
+If you just got your new System then you will want to check out the [[L1™ Unofficial Users' Guide]] which covers things that System owners like to know.
+<table border="0" cellpadding="5">
+<tr>
+<td width="40%">__TOC__</td>
+<td valign="top">
+[[Image:Bose-Mon8.jpg|Ashland MA Bose-East event photo by Drumr]]
+[[Image:Bose-Ashby34.jpg|Ashland MA Bose-East event photo by Drumr]]
+[[Image:Bose-Mon2.jpg|Ashland MA Bose-East event photo by Drumr]]
+<!--
+not sure this belongs here or on a separate page, but I converted it to a template so we can present it in several places if we want
+{{L1® System Benefits}}
+-->
-for the Bose® Personalized Amplification System™ family of products.
+<br />
-If you will be using the Bose System for the first, second, or third time and are looking for quick-hit things you need to know you are in the right place. This is for you in the role of performer who may or may not actually own a System. Initially, I will write this with the solo or duo act in mind. There may be another version later for larger ensembles later.
+[[L1® System Benefits]]
-If you just got your new System then you will want to check out the [[L1™ Unofficial Users' Guide]] which covers things that System owners like to know.
-Note: This document is under development. I'm planning to fill it in over the next couple of weeks so if there are bullet points without links that means that I'm working on the content. This is a collaborative effort so for now, the incomplete points are a part of a casual outline.
+{{AddThis}}
-== L1&trade; System Benefits ==
+</td>
-The Bose<sup>®</sup> Personalized Amplification System™ family of products
+<td valign="top">
+{{Search Box}}
-FOR MUSICIANS:
+{{L1 Family Image}}
-* Performance and enjoyment dramatically improve because musicians no longer struggle to hear themselves or each other.
+</td>
-* As in the case of an unamplified performance, the sound is under the control of the musicians, and no one else. As a result, musicians no longer wonder how they sound to their fellow musicians or to their audiences.
+</tr>
-* Personalized Amplification System™ products are carried and set up in minutes, not hours, thus freeing musicians from the time-consuming, draining, and frustrating effort required to properly set up conventional amplifiers, monitors, mixers, and PA equipment.
+</table>
-* A close, personal relationship with Bose, one where knowledgeable and courteous employees can be reached easily, and where a new standard of customer service is enjoyed.
-FOR AUDIENCES:
+== Setting Up ==
-* The enhanced performance of the musicians creates the kind of excitement and emotion that music lovers say they value more than anything else.
+{{Model II icon}}{{Model I icon}}{{Classic icon}}
-* Musicians hear what their audiences hear – and thus are unlikely to play at uncomfortable sound levels. The music is naturally dynamic – everything from the softest to the most intense passage can be heard and enjoyed.
+If you are stepping onto the stage and someone has made all the connections for you skip down to the section about [[{{PAGENAME}}#Performing|Performing]].
-* Audience members report that the clarity and excitement that come from hearing the accurate reproduction of sound from each instrument, and from hearing the sound of each instrument in its position on stage (as opposed to a mono or even stereo mix of all instruments) is unlike anything they have heard before in an amplified performance.
-== Setting up ==
+=== Physical Assembly ===
-If you are stepping onto the stage and someone has made all the connections for you skip down to the section about Performing.
+{{Classic Model I Basic Setup}}
 === Microphone Setup ===
 {{Get Plugged In Microphone}}
-=== Connections ===
-<!-- TODO review fix links
+=== Multiple Performers Sharing One {{L1 no link}} System ===
-* Connections General Overview
+{{Model II icon}}{{Model I icon}}{{Classic icon}}
-* Connection Examples:
+Electric guitarists used to play and sing through their amps, but this soon stopped when they started to concentrate on the tone of their guitars.  Now, few musicians are willing to share their amps, based on the idea that any sound other than that of your instrument will somehow corrupt the tone.  This is probably true for guitar amplifiers playing at heavy distortion levels (voice will be heavily modulated due to clipping).  But it is not true of an {{L1 no link}} loudspeaker.
--->
+Sharing should be restricted to musicians located near each other on stage, for example, two background singers standing shoulder to shoulder, or a horn line.
+Several instruments or instruments and voices can be amplified simultaneously with complete independence of tone and no corruption of any kind, other than having everything come from one source.  Always try to take advantage of the ToneMatch® preset feature.
+{{Model I icon}}{{Classic icon}}
+For instance, if you are doing a “single” and have a drum machine and/or sequencer driving a bunch of MIDI modules, use channels 1 and 2 for personal-preference preset settings, like your vocal microphone and, say, an acoustic guitar with a pickup. Then use an external mixer, which you probably have if this example describes your musical work, and put it into channel 3 or 4.
 === Connections General Examples ===
+{{Model I icon}}{{Classic icon}}
 <!-- {{:PS1 Powerstand Connections}} too much detail -->
@@ Line 46: / Line 75: @@
 ==== Interactive Tour of the Inputs and Outputs ====
 {{PS1 Connections Interactive}}
 === Connections for a Soloist ===
@@ Line 52: / Line 82: @@
 <br />
 </html>
+=== Soloist with Backing Tracks ===
+{{:Vocalist with Backing Tracks L1}}
 === Connections for a Duo ===
 <html>
@@ Line 64: / Line 98: @@
 </html>
 -->
+=== Quick Hookup Guide ===
+* [http://bose.infopop.cc/eve/forums/a/ga/ul/2501026994/hookupGuide_v081705.pdf Quick Hookup Guide] - Print this and keep it handy (especially for people unfamiliar with the system). This is a 6 page pdf document, that you can print and leave at any venue that provides an L1™ Classic or Model I for performers to use. It includes most of the information above.
 === B1 Cables (blue) ===
+{{Model II icon}}{{Model I icon}}{{Classic icon}}
 * Make sure the Speakon cables (blue) are really connected. Insert and turn clockwise. There should be an audible click. You should have to slide the silver lock and twist counterclockwise to remove the cable. If you can remove it without a twist, it is not really connected.
-=== Presets ===
-* Presets are used to get the best possible sound from your inputs. They are not meant to make something sound like something else (like Guitar processor or instrument patches).  The presets for vocal microphones are based on using close mic techniques.
+=== ToneMatch® Presets ===
+{{Model II icon}}{{Model I icon}}{{Classic icon}}
+* Presets are used to get the best possible sound from your inputs. They are not meant to make something sound like something else (like Guitar processor or instrument patches).  Note: The presets for vocal microphones are based on using ''close microphone'' techniques.
 * [[Gain Staging]]
 * [[:category:Mixer|Mixers]] Connection suggestions for specific mixers.
-* [[Effects]]
+* [[:Category:Effects PS1 Powerstand|Effects]] Connection notes for several different makes and models
 If the stage is already set up, then it is time to talk about performing.
 == Performing ==
+{{Model II icon}}{{Model I icon}}{{Classic icon}}
 === Hearing yourself ===
+This is a different approach to amplifying your sound. The sound of your voice and/or instrument will come from an {{L1 CR}} located 5-10 feet behind you. Unlike conventional approaches, you will not be behind the main speakers going to the room.
-This is a different approach to amplifying your sound. There is typically only one amplified version of your sound entering the room. That will be the Cylindrical Radiator®. Typically it will be set up behind you. Unlike conventional approaches, you will not be behind the main speakers going to the room.
+How does it sound? - It may seem unusual for a few minutes because you are hearing yourself in much the same way the audience is hearing you. This is a big difference because you will be hearing yourself in the context of the room instead of out of context in the monitor. ... [[Hearing Yourself|full article]]
-How does it sound? - It may seem unusual for a few minutes because you are hearing yourself in much the same way the audience is hearing you. This is a big difference because you will be hearing yourself in the context of the room instead of out of context in the monitor.
-Where do I stand? - Usually in front of the Cylindrical Radiator®. Sometimes beside it. If you are in front of it, an ideal would be approximately 7-10 feet. This is easy to work out if you have the standard 15 foot cable. Assuming you have the Remote mounted on your mic stand, the cable should be a straight run back to the Power Stand.
-Where is the monitor? - No monitor required. You will be hearing yourself through the same Cylindrical Radiator®  that the audience is hearing.
-Where is the reverb? - This is typically not required because you will be hearing the natural reverb in the room not a monitor mix from a floor wedge.
-Hearing Yourself with the Bose...
+=== Mixing Yourself In Ensemble ===
+Using a typical [[Triple Amplification System|triple amplification system]], a professional front-of-house mixer rides vocals, varies the level of horn sections and rides (and often misses) lead solos. They do this because they and not you can hear a mix over the mains “out front”.  ... [[Mixing Yourself|full article]]
 === Microphone Technique ===
@@ Line 95: / Line 132: @@
 You will probably find that you hear yourself better with this system than in other live music situations. If you are new to the experience, you may want to back off from the microphone. Try this instead. Get up closer to the mic. Relax and get used to hearing yourself. You will find it is easier to sing when you can hear.
+"Many owners, myself included, have found singing through {{L1}}s to be reminiscent of singing in unamplified groups (big family, in my case), but different, sonically better. Unamplified, we control our timbre and dynamics with just our bodies - No mics to ''technique''. With the {{L1}}, staying ''on the mic'' (the simplest of techniques) allows us to sing that way, using our ''head to toes'' as our preamp and our ''lungs'' as our volume control. Here's where it gets better - With much more available volume, therefore much more dynamic range and coverage way out into the room, we can still bring it down to that unamplified-level whisper (and everyone, singers and audience, can hear every nuance - I love that!), then bring it back up to the brink of ''ouch''! Very expressive. Very musical..." - - Chuck-at-Bose
 === Feedback ===
 Feedback occurs when sound coming from the Cylindrical Radiator® is reintroduced into the System and amplified again. You typically hear either a high pitched squeal or a low pitched howl. The first usually comes from a vocal microphone and the second is more likely from an acoustic instrument like a Guitar.
@@ Line 147: / Line 185: @@
 === Practice Your Microphone Technique ===
-If you are a vocalist, one of the single most important things you can do is practice your microphone technique. You get the best gain-before-feedback using close micing. The presets for vocal mics are designed for close micing.
+If you are a vocalist, one of the single most important things you can do is practice your microphone technique. You get the best [[Gain Before Feedback]] using close microphone technique. The presets for vocal mics are designed for that (close micing) technique.
+== Troubleshooting ==
+{{:Troubleshooting}}  <!-- this is an inclusion of a separate article -->
 == Working with Others ==
 [[Introducing Performers to the Bose System]]
 [[category:Feedback]]
 [[category:Performance]]
+{{Snap}}