Terminology & Concepts: Difference between revisions
== Headroom == |
mNo edit summary |
||
| (16 intermediate revisions by the same user not shown) | |||
| Line 5: | Line 5: | ||
http://meta.wikimedia.org/wiki/Help:Template#Composite_pages | http://meta.wikimedia.org/wiki/Help:Template#Composite_pages | ||
Almost all the content is in individual articles that are | Almost all the content is in individual articles that are presented here as on very long page. | ||
To edit any section you need to edit the original page that appears like | To edit any section you need to edit the original page that appears like | ||
| Line 12: | Line 12: | ||
--> | --> | ||
__NOEDITSECTION__ | __NOEDITSECTION__ | ||
<table><tr> | |||
<td valign="top" width="450">__TOC__</td> | |||
<td valign="top"> | |||
This '''extremely long''' page is a composite of many individual pages. I have put them together to make it easier to: | |||
* read all of the major terms and concepts in one place | |||
* use the Find function in your browser if you are looking for a specific phrase (Ctrl-f for PCs or Command-f for Mac) | |||
* print everything all in on page (see menu at left for Printable version) | |||
{{:Different Models}} | |||
{{:Common Terms and Acronyms}} | |||
</td> | |||
</tr></table> | |||
== Backline Amplifiers == | == Backline Amplifiers == | ||
| Line 25: | Line 34: | ||
== Critical Distance == | == Critical Distance == | ||
{{:Critical | {{:Critical Distance}} | ||
== Crossover == | == Crossover == | ||
| Line 41: | Line 50: | ||
== Fletcher Munson Curves == | == Fletcher Munson Curves == | ||
See Equal Loudness | See [[{{PAGENAME}}#Equal Loudness Curves|Equal Loudness Curves]] above | ||
== Gain Before Feedback == | == Gain Before Feedback == | ||
| Line 54: | Line 63: | ||
== Localization, Spaciousness and Reverberation == | == Localization, Spaciousness and Reverberation == | ||
{{:Localization Spaciousness Reverberation}} | {{:Localization Spaciousness Reverberation}} | ||
== Microphone Directionality == | |||
{{:Microphone_Directionality}} | |||
== Nulls == | == Nulls == | ||
| Line 63: | Line 75: | ||
== PA == | == PA == | ||
{{:PA}} | {{:PA}} | ||
== Phantom Power == | |||
{{:Phantom Power}} | |||
== Phase (cancellation, interference) == | == Phase (cancellation, interference) == | ||
| Line 68: | Line 83: | ||
== Presets == | == Presets == | ||
{{: | Presets are ToneMatch® Presets. | ||
{{:ToneMatch®}} | |||
See also: [[Presets]] | |||
== Processors == | == Processors == | ||
| Line 78: | Line 97: | ||
== Reverberant Field == | == Reverberant Field == | ||
{{:Reverberant Field}} | {{:Reverberant Field}} | ||
== Sound Pressure Level == | |||
{{:Sound Pressure Level}} | |||
== Spectral Identification == | |||
Vocabulary for discussing sound. | |||
{{:Spectral Identification}} | |||
== ToneMatch® == | |||
{{:ToneMatch®}} | |||
== Triple System Amplification == | |||
{{:Triple Amplification System}} | |||
== Volume == | |||
{{:Volume}} | |||
---- | ---- | ||
<references/> | <references/> | ||