Microphone Feedback: Difference between revisions
m Please see comments in [[Talk:{{PAGENAME}}|discussion for this article]] ~~~~ |
m I have merged all the content from this page into Feedback / Microphone - please make any new edits on that live page - thanks |
||
| (One intermediate revision by one other user not shown) | |||
| Line 1: | Line 1: | ||
#REDIRECT [[Feedback / Microphone]] | |||
<!-- | <!-- | ||
| Line 6: | Line 10: | ||
and see comments in the discussion page for your temporary page for rationale [[Talk:Ken's Main Page (temporary)]] | and see comments in the discussion page for your temporary page for rationale [[Talk:Ken's Main Page (temporary)]] | ||
--> | |||
Thanks ST | Thanks ST | ||
Please see comments in [[Talk:{{PAGENAME}}|discussion for this article]] [[User:ST|ST]] 12:24, 4 January 2009 (EST) | Please see comments in [[Talk:{{PAGENAME}}|discussion for this article]] [[User:ST|ST]] 12:24, 4 January 2009 (EST) | ||
| Line 41: | Line 45: | ||
=== Techniques specific to the {{L1 family}} === | === Techniques specific to the {{L1 family}} === | ||
* All players should be playing / singing through the {{L1}} closest to them. | * All players should be playing / singing through the {{L1}} closest to them. | ||
* If you are using a {{T1}} it is often possible to use the parametric EQ section to notch the frequency that is causing feedback. | * If you are using a {{T1}} it is often possible to use the parametric EQ section to notch the frequency that is causing feedback. You can find details in the article: [[Using the T1® to Control Microphone Feedback]] | ||