Zoom H4 and T1® Usage - Revision history

ST: /* Video */ formatting to meet google requirements

2019-03-11T18:28:42Z

Video: formatting to meet google requirements

← Older revision		Revision as of 18:28, 11 March 2019
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	<html>		<html>
	<~~object~~ width="~~425~~" height="~~344~~"~~><param name="movie" value~~="~~http~~://www.youtube.com/v/ao6_V1Uvog8~~&hl=en&fs=1~~"~~></param><param name~~="~~allowFullScreen~~" ~~value~~="~~true"></param><embed src="http://www.youtube.com/v/ao6_V1Uvog8&hl=en&fs=1" type="application/x~~-~~shockwave~~-~~flash~~" allowfullscreen~~="true" width="425" height="344"></embed~~></~~object~~>		<iframe max-width="560" height="auto" src="https://www.youtube.com/embed/ao6_V1Uvog8" frameborder="0" allow="accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture" allowfullscreen></iframe>
	</html>		</html>

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	* With the Zoom H4 connected and used as a recorder in this configuration you can expect to get exactly what you would hear from the T1 AUX OUT connector. Provided you have enabled the AUX output on each T1 channel, you’ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc.		* With the Zoom H4 connected and used as a recorder in this configuration you can expect to get exactly what you would hear from the T1 AUX OUT connector. Provided you have enabled the AUX output on each T1 channel, you’ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc.

	* Setting the "recording mix" of all you T1 channels requires you to listen to the AUX output by some method, or to leave each channels Level mix at its default setting of 50%. The easy approach is to leave everything at 50%. This ~~insures~~ nothing ends up too hot in the mix. (It appears you can ~~taylor~~ your recording mix by adjusting the Level percentage of each channel, but I haven't taken the time to experiment with this capability, as of yet.) NOTE: Changing this Level setting does not change any MAIN output levels from your T1.		* Setting the "recording mix" of all you T1 channels requires you to listen to the AUX output by some method, or to leave each channels Level mix at its default setting of 50%. The easy approach is to leave everything at 50%. This ensures nothing ends up too hot in the mix. (It appears you can tailor your recording mix by adjusting the Level percentage of each channel, but I haven't taken the time to experiment with this capability, as of yet.) NOTE: Changing this Level setting does not change any MAIN output levels from your T1.


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	* Be sure to change your inputs on the Zoom H4 from the default "internal mics" to Input Connectors 1 & 2. Refer to the Zoom H4 Users Manual for details on selecting inputs, if needed. This enables you to plug in the cables from your {{T1}}s to the H4 for recording, otherwise, you'll still be recording with the internal mics of the H4!		* Be sure to change your inputs on the Zoom H4 from the default "internal mics" to Input Connectors 1 & 2. Refer to the Zoom H4 Users Manual for details on selecting inputs, if needed. This enables you to plug in the cables from your {{T1}}s to the H4 for recording, otherwise, you'll still be recording with the internal mics of the H4!


	== L1 Configurations ==		== L1 Configurations ==

ST: ST moved page Zoom H4 and T1Â® Usage to Zoom H4 and T1® Usage

2017-03-26T08:06:40Z

ST moved page Zoom H4 and T1Â® Usage to Zoom H4 and T1® Usage

← Older revision	Revision as of 08:06, 26 March 2017
(No difference)

Jdnell: Changed the YouTube link to in-line with code from YouTube

2008-10-11T04:20:39Z

Changed the YouTube link to in-line with code from YouTube

← Older revision		Revision as of 04:20, 11 October 2008
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	# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.		# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.


			=== Video ===

	Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.		Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.

	[http://www.youtube.com/~~watch?~~v=ao6_V1Uvog8 ~~Click here to view the YouTube video.]~~
			<html>
			<object width="425" height="344"><param name="movie" value="http://www.youtube.com/v/ao6_V1Uvog8&hl=en&fs=1"></param><param name="allowFullScreen" value="true"></param><embed src="http://www.youtube.com/v/ao6_V1Uvog8&hl=en&fs=1" type="application/x-shockwave-flash" allowfullscreen="true" width="425" height="344"></embed></object>
			</html>

Jdnell at 03:09, 11 October 2008

2008-10-11T03:09:23Z

← Older revision		Revision as of 03:09, 11 October 2008
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	'''<big>Using a Zoom H4 Recorder via Two {{T1}}s to Record your Gig</big>'''		'''<big>Using a Zoom H4 Recorder via Two {{T1}}s to Record your Gig</big>'''

	This is a “how to” narrative on using a Zoom H4 Handy Recorder and two {{T1}}s to record your gig, while performing through an {{L1}} System.		This is a “how to” narrative on using a Zoom H4 Handy Recorder and two {{T1}}s to record your gig, while performing through an {{Model II}} System.


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	# Be careful with your channel mixes on the T1. Ensure they are correct for your overall "live sound" mix on the L1 system. Also, be aware you can change the "recording" mix by utilizing the AUX OUT level settings in the T1. You can have between 0% and 100% of a channel going to your Zoom H4 recorder for recording. This will affect your "recording" mix, but not your "live" mix.		# Be careful with your channel mixes on the T1. Ensure they are correct for your overall "live sound" mix on the L1 system. Also, be aware you can change the "recording" mix by utilizing the AUX OUT level settings in the T1. You can have between 0% and 100% of a channel going to your Zoom H4 recorder for recording. This will affect your "recording" mix, but not your "live" mix.
	# You’ll record whatever is picked up by your microphones. This will be dependent on the types of microphones you use, their polar patterns, etc. Just be aware, you’ll “record” what the microphone hears!		# You’ll record whatever is picked up by your microphones. This will be dependent on the types of microphones you use, their polar patterns, etc. Just be aware, you’ll “record” what the microphone hears!
	# After the gig, use the playback feature of your H4 Recorder plugged into your L1 System. You’ll be amazed that you’ll be hearing what your audience heard at the gig! It’s a real eye opener, if you've never listened to yourself through the {{L1}} system!!!		# After the gig, use the playback feature of your H4 Recorder plugged into your L1 System. You’ll be amazed that you’ll be hearing what your audience heard at the gig! It’s a real eye opener, if you've never listened to yourself through the {{Model II}} system!!!


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	== Review Summary ==		== Review Summary ==
	If you have a Bose {{L1}} and {{T1}}, then recording your music can be as easy as purchasing one of these new digital recorders (with external input capability), hooking it up and playing some music! A recording of your gig has the potential to let your hear where you need a little extra practice on a song or two! Who knows, you might also be able to use this to record your first “live CD”, with very little effort on your part! Good luck and if you have questions about this procedure, hook-up, or anything related, please let me know. I’ll be glad to answer your questions via the message board or email.		If you have a Bose {{Model II}} and {{T1}}, then recording your music can be as easy as purchasing one of these new digital recorders (with external input capability), hooking it up and playing some music! A recording of your gig has the potential to let your hear where you need a little extra practice on a song or two! Who knows, you might also be able to use this to record your first “live CD”, with very little effort on your part! Good luck and if you have questions about this procedure, hook-up, or anything related, please let me know. I’ll be glad to answer your questions via the message board or email.

	== Review Date ==		== Review Date ==

Jdnell at 02:24, 11 October 2008

2008-10-11T02:24:54Z

← Older revision		Revision as of 02:24, 11 October 2008
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	# Turn your T1 Master selector knob to “AUX”.		# Turn your T1 Master selector knob to “AUX”.
	# Press the CH Edit button of the channel you wish to route to the AUX connector. (Remember, you must do this for each channel you wish to record from the T1.)		# Press the CH Edit button of the channel you wish to route to the AUX connector. (Remember, you must do this for each channel you wish to record from the T1.)
	# Check the T1 display. If Level says "~~MUTED~~", the channel is currently muted going to the AUX connector. If muted, simply press the knob button underneath the display to un-mute the channel.		# Check the T1 display. If Level says "Mute", the channel is currently muted going to the AUX connector. If muted, simply press the knob button underneath the display to un-mute the channel.
	# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.		# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.
	# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.		# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.

Jdnell at 02:22, 11 October 2008

2008-10-11T02:22:05Z

← Older revision		Revision as of 02:22, 11 October 2008
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	Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.		Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.

	[http://www.youtube.com/watch?v=ao6_V1Uvog8/ Click here to view the YouTube video.]		[http://www.youtube.com/watch?v=ao6_V1Uvog8 Click here to view the YouTube video.]

Jdnell at 02:12, 11 October 2008

2008-10-11T02:12:38Z

← Older revision		Revision as of 02:12, 11 October 2008
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	=== Step by Step Instructions ===		=== Step by Step Instructions ===
	~~'' DRAFT ONLY at this time ''~~

	==== Enabling the T1 AUX output (per channel) ====		==== Enabling the T1 AUX output (per channel) ====
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	# Turn your T1 Master selector knob to “AUX”.		# Turn your T1 Master selector knob to “AUX”.
	# Press the CH Edit button of the channel you wish to route to the AUX connector. (Remember, you must do this for each channel you wish to record from the T1.)		# Press the CH Edit button of the channel you wish to route to the AUX connector. (Remember, you must do this for each channel you wish to record from the T1.)
	# Check the T1 display. If Level says "~~Bypass~~", the channel is currently muted going to the AUX connector. If muted, simply press the knob button underneath the display to un-mute the channel.		# Check the T1 display. If Level says "MUTED", the channel is currently muted going to the AUX connector. If muted, simply press the knob button underneath the display to un-mute the channel.
	# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.		# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.
	# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.		# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.

Jdnell: added video clip

2008-10-11T02:11:10Z

added video clip

← Older revision		Revision as of 02:11, 11 October 2008
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	Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.		Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.

	~~'insert~~ video ~~here'~~		[http://www.youtube.com/watch?v=ao6_V1Uvog8/ Click here to view the YouTube video.]

Jdnell: more minor edits - getting close now!

2008-10-10T17:39:04Z

more minor edits - getting close now!

← Older revision		Revision as of 17:39, 10 October 2008
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	'' DRAFT ONLY at this time ''		'' DRAFT ONLY at this time ''

	Enabling AUX output ~~on the T1~~ (per channel)		==== Enabling the T1 AUX output (per channel) ====

	# Turn your T1 Master selector knob to “AUX”.		# Turn your T1 Master selector knob to “AUX”.
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	# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.		# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.
	# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.		# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.


	Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.		Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.

	'insert video here'		'insert video here'


	* With the Zoom H4 connected and used as a recorder in this configuration you can expect to get exactly what you would hear from the T1 AUX OUT connector. Provided you have enabled the AUX output on each T1 channel, you’ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc.		* With the Zoom H4 connected and used as a recorder in this configuration you can expect to get exactly what you would hear from the T1 AUX OUT connector. Provided you have enabled the AUX output on each T1 channel, you’ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc.
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	* Setting the "recording mix" of all you T1 channels requires you to listen to the AUX output by some method, or to leave each channels Level mix at its default setting of 50%. The easy approach is to leave everything at 50%. This insures nothing ends up too hot in the mix. (It appears you can taylor your recording mix by adjusting the Level percentage of each channel, but I haven't taken the time to experiment with this capability, as of yet.) NOTE: Changing this Level setting does not change any MAIN output levels from your T1.		* Setting the "recording mix" of all you T1 channels requires you to listen to the AUX output by some method, or to leave each channels Level mix at its default setting of 50%. The easy approach is to leave everything at 50%. This insures nothing ends up too hot in the mix. (It appears you can taylor your recording mix by adjusting the Level percentage of each channel, but I haven't taken the time to experiment with this capability, as of yet.) NOTE: Changing this Level setting does not change any MAIN output levels from your T1.

	Enabling ~~your~~ Zoom H4's inputs
			==== Enabling the Zoom H4 inputs ====

	* Be sure to change your inputs on the Zoom H4 from the default "internal mics" to Input Connectors 1 & 2. Refer to the Zoom H4 Users Manual for details on selecting inputs, if needed. This enables you to plug in the cables from your {{T1}}s to the H4 for recording, otherwise, you'll still be recording with the internal mics of the H4!		* Be sure to change your inputs on the Zoom H4 from the default "internal mics" to Input Connectors 1 & 2. Refer to the Zoom H4 Users Manual for details on selecting inputs, if needed. This enables you to plug in the cables from your {{T1}}s to the H4 for recording, otherwise, you'll still be recording with the internal mics of the H4!
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	# Be careful with your channel mixes on the T1. Ensure they are correct for your overall "live sound" mix on the L1 system. Also, be aware you can change the "recording" mix by utilizing the AUX OUT level settings in the T1. You can have between 0% and 100% of a channel going to your Zoom H4 recorder for recording. This will affect your "recording" mix, but not your "live" mix.		# Be careful with your channel mixes on the T1. Ensure they are correct for your overall "live sound" mix on the L1 system. Also, be aware you can change the "recording" mix by utilizing the AUX OUT level settings in the T1. You can have between 0% and 100% of a channel going to your Zoom H4 recorder for recording. This will affect your "recording" mix, but not your "live" mix.
	# You’ll record whatever is picked up by your microphones. This will be dependent on the types of microphones you use, their polar patterns, etc. Just be aware, you’ll ~~“hear”~~ what the microphone hears!		# You’ll record whatever is picked up by your microphones. This will be dependent on the types of microphones you use, their polar patterns, etc. Just be aware, you’ll “record” what the microphone hears!
	# After the gig, use the playback feature of your H4 Recorder plugged into your L1 System. You’ll be amazed that you’ll be hearing what your audience heard at the gig! It’s a real eye opener, if you've never listened to yourself through the {{L1}} system!!!		# After the gig, use the playback feature of your H4 Recorder plugged into your L1 System. You’ll be amazed that you’ll be hearing what your audience heard at the gig! It’s a real eye opener, if you've never listened to yourself through the {{L1}} system!!!

Jdnell: more sbs changes

2008-10-10T17:28:16Z

more sbs changes

← Older revision		Revision as of 17:28, 10 October 2008
Line 55:		Line 55:

	=== Step by Step Instructions ===		=== Step by Step Instructions ===
	'' DRAFT ~~/ Placeholder~~ ONLY ''		'' DRAFT ONLY at this time ''

	Enabling AUX ~~channel~~ output on the T1		Enabling AUX output on the T1 (per channel)

	# Turn your T1 Master selector knob to “AUX”.		# Turn your T1 Master selector knob to “AUX”.
	# Press the CH Edit button of the channel you wish to route to the AUX connector.		# Press the CH Edit button of the channel you wish to route to the AUX connector. (Remember, you must do this for each channel you wish to record from the T1.)
	# Check the T1 display. If Level says "Bypass", the channel is currently muted going to the AUX connector. If muted, simply press the knob button underneath the display to un-mute the channel.		# Check the T1 display. If Level says "Bypass", the channel is currently muted going to the AUX connector. If muted, simply press the knob button underneath the display to un-mute the channel.
	# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's ~~signal~~ volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.		# Use the knob button to adjust the percentage of the signal you want at the AUX connector. This range can be between 0% (no signal) to 100% (the entire signal) routed to the AUX connector. Think of it as a volume knob to control the channel's volume. Use this method to control each individual channel for your “recording” mix routed to the T1’s AUX connector.
	# Refer to your T1 ToneMatch Audio Engine ~~instructions~~ for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.		# Refer to your T1 ToneMatch Audio Engine manual for information regarding the “TAP” button options. Tap settings can be: pre-fader, post-EQ and effects, or post-fader.

	Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.		Here's a quick video on enabling the AUX out capability of each channel on the {{T1}}.
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	* With the Zoom H4 connected and used as a recorder in this configuration you can expect to get exactly what you would hear from the T1 AUX OUT connector. Provided you have enabled the AUX output on each T1 channel, you’ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc.		* With the Zoom H4 connected and used as a recorder in this configuration you can expect to get exactly what you would hear from the T1 AUX OUT connector. Provided you have enabled the AUX output on each T1 channel, you’ll hear what is plugged into the input of each channel, whether it’s a microphone, iPod, guitar, etc.

	* Setting the "recording mix" of all you T1 channels requires you to listen to the AUX output by some method, or to leave each channels Level mix at its default setting of 50%. The easy approach is to leave everything at 50%. This insures nothing ends up too hot in the mix. (~~You~~ can taylor your recording mix by adjusting the Level percentage of each channel, but I haven't taken the time to experiment with this ~~option~~.) NOTE: Changing this Level setting does not change any output levels from your ~~T1 which are routed via your Main OUT of the~~ T1.		* Setting the "recording mix" of all you T1 channels requires you to listen to the AUX output by some method, or to leave each channels Level mix at its default setting of 50%. The easy approach is to leave everything at 50%. This insures nothing ends up too hot in the mix. (It appears you can taylor your recording mix by adjusting the Level percentage of each channel, but I haven't taken the time to experiment with this capability, as of yet.) NOTE: Changing this Level setting does not change any MAIN output levels from your T1.

			Enabling your Zoom H4's inputs

			* Be sure to change your inputs on the Zoom H4 from the default "internal mics" to Input Connectors 1 & 2. Refer to the Zoom H4 Users Manual for details on selecting inputs, if needed. This enables you to plug in the cables from your {{T1}}s to the H4 for recording, otherwise, you'll still be recording with the internal mics of the H4!