White Papers - Revision history

ST: /* Bose White Papers */ formatting

2017-03-29T17:44:20Z

Bose White Papers: formatting

← Older revision		Revision as of 17:44, 29 March 2017
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	* {{Bose White Paper 1}}		* {{Bose White Paper 1}}

	* [http://toonz.ca/bose/images/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group		* [http://toonz.ca/bose/images/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] <br>Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group
	Summary: Amplified guitars are the source of some truly remarkable musical instrument		Summary: Amplified guitars are the source of some truly remarkable musical instrument
	sounds. At the same time, we found they are the source of acoustical problems that		sounds. At the same time, we found they are the source of acoustical problems that

ST: L1® and the Panaray® MA12

2017-03-29T17:43:06Z

L1® and the Panaray® MA12

← Older revision		Revision as of 17:43, 29 March 2017
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	=== Other ===		=== Other ===
	Note: The following documents discuss the Bose® Panaray MA12 Modular Array. The information is of interest as it applies to line arrays and is applicable in that context. Please be aware that the {{L1}} is a portable line array. It is twice the height of the MA12 and has different characteristics than a single MA12. See also [[~~L1™~~ and the Panaray® MA12]]		Note: The following documents discuss the Bose® Panaray MA12 Modular Array. The information is of interest as it applies to line arrays and is applicable in that context. Please be aware that the {{L1}} is a portable line array. It is twice the height of the MA12 and has different characteristics than a single MA12. See also [[L1® and the Panaray® MA12]]

	* [https://assets.bose.com/content/dam/Bose_DAM/Web/pro/global/products/loudspeakers/Panaray_MA12/Downloads/Technical_data_sheet/tds_panaray_ma12_modular_line_array_loudspeaker.pdf Bose® Panaray® MA12 Modular Line Array: Technical Information and Polar Data]		* [https://assets.bose.com/content/dam/Bose_DAM/Web/pro/global/products/loudspeakers/Panaray_MA12/Downloads/Technical_data_sheet/tds_panaray_ma12_modular_line_array_loudspeaker.pdf Bose® Panaray® MA12 Modular Line Array: Technical Information and Polar Data]

ST: fixed links

2017-03-29T17:39:19Z

fixed links

← Older revision		Revision as of 17:39, 29 March 2017
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	== Bose White Papers ==		== Bose White Papers ==

	=== L1~~®~~ ===		=== {{L1}} ===
	* {{Bose White Paper 1}}		* {{Bose White Paper 1}}

	* [http://~~www~~.bose~~.com/pdf/musicians~~/~~Whitepapers~~/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group		* [http://toonz.ca/bose/images/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group
	Summary: Amplified guitars are the source of some truly remarkable musical instrument		Summary: Amplified guitars are the source of some truly remarkable musical instrument
	sounds. At the same time, we found they are the source of acoustical problems that		sounds. At the same time, we found they are the source of acoustical problems that
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	Note: The following documents discuss the Bose® Panaray MA12 Modular Array. The information is of interest as it applies to line arrays and is applicable in that context. Please be aware that the {{L1}} is a portable line array. It is twice the height of the MA12 and has different characteristics than a single MA12. See also [[L1™ and the Panaray® MA12]]		Note: The following documents discuss the Bose® Panaray MA12 Modular Array. The information is of interest as it applies to line arrays and is applicable in that context. Please be aware that the {{L1}} is a portable line array. It is twice the height of the MA12 and has different characteristics than a single MA12. See also [[L1™ and the Panaray® MA12]]

	* [~~http~~://~~pro~~.bose.com/~~pdf~~/pro/~~app_notes~~/~~panaray_ma12~~/~~an_panaray_ma12~~.pdf Bose® Panaray® MA12 Modular Line Array: Technical Information and Polar Data]		* [https://assets.bose.com/content/dam/Bose_DAM/Web/pro/global/products/loudspeakers/Panaray_MA12/Downloads/Technical_data_sheet/tds_panaray_ma12_modular_line_array_loudspeaker.pdf Bose® Panaray® MA12 Modular Line Array: Technical Information and Polar Data]
	One uses polar plots to describe the behavior of conventional speakers such as		One uses polar plots to describe the behavior of conventional speakers such as
	constant directivity horns or small arrays built up using smaller transducers. Line		constant directivity horns or small arrays built up using smaller transducers. Line

ST: Protected "White Papers" [edit=sysop:move=sysop]

2011-07-27T20:24:47Z

Protected "White Papers" [edit=sysop:move=sysop]

← Older revision	Revision as of 20:24, 27 July 2011
(No difference)

ST: Reverted edits by ABCD (Talk); changed back to last version by ST

2011-07-03T20:58:06Z

Reverted edits by ABCD (Talk); changed back to last version by ST

← Older revision		Revision as of 20:58, 3 July 2011
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	high output and full, balanced frequency response. The fact that the MA12 is placed		high output and full, balanced frequency response. The fact that the MA12 is placed
	at ear level (so that listeners are confined within its wedge-shaped radiation pattern)		at ear level (so that listeners are confined within its wedge-shaped radiation pattern)
	means that it can usually be installed for a fraction ~~[http://www.ghostpapers.com/term-papers-site/term-papers-for-sale.html term paper for sale]~~		means that it can usually be installed for a fraction of the cost of more elaborate
	of the cost of more elaborate
	‘flown’ loudspeakers and loudspeaker clusters. Finally, it can be matched to a low		‘flown’ loudspeakers and loudspeaker clusters. Finally, it can be matched to a low
	frequency enclosure (Bose Panaray MB4) when extended bass performance is		frequency enclosure (Bose Panaray MB4) when extended bass performance is

ABCD: /* Other */

2011-06-30T05:17:18Z

Other

← Older revision		Revision as of 05:17, 30 June 2011
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	high output and full, balanced frequency response. The fact that the MA12 is placed		high output and full, balanced frequency response. The fact that the MA12 is placed
	at ear level (so that listeners are confined within its wedge-shaped radiation pattern)		at ear level (so that listeners are confined within its wedge-shaped radiation pattern)
	means that it can usually be installed for a fraction of the cost of more elaborate		means that it can usually be installed for a fraction [http://www.ghostpapers.com/term-papers-site/term-papers-for-sale.html term paper for sale]
			of the cost of more elaborate
	‘flown’ loudspeakers and loudspeaker clusters. Finally, it can be matched to a low		‘flown’ loudspeakers and loudspeaker clusters. Finally, it can be matched to a low
	frequency enclosure (Bose Panaray MB4) when extended bass performance is		frequency enclosure (Bose Panaray MB4) when extended bass performance is

ST: /* L1® */ {{Bose White Paper 1}}

2008-10-22T15:15:12Z

L1®: {{Bose White Paper 1}}

← Older revision		Revision as of 15:15, 22 October 2008
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	=== L1® ===		=== L1® ===
	* [[Media:BoseWhitePaper ed2b.pdf\|Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification]]<br /> This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}~~. It speaks to the intent, technology and the application of the {{PAS}}.~~		* {{Bose White Paper 1}}

	* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group		* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group

ST: /* L1® */

2008-10-22T15:12:18Z

L1®

← Older revision		Revision as of 15:12, 22 October 2008
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	=== L1® ===		=== L1® ===
	* [[Media:BoseWhitePaper ed2b.pdf\|Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification] This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}.		* [[Media:BoseWhitePaper ed2b.pdf\|Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification]]<br /> This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}.

	* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group		* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group

ST: /* L1® */ changed download for white paper from infopop to toonz.ca location

2008-10-22T15:11:44Z

L1®: changed download for white paper from infopop to toonz.ca location

← Older revision		Revision as of 15:11, 22 October 2008
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	=== L1® ===		=== L1® ===
	* [~~http~~:~~//bose.infopop.cc/eve/forums/a/ga/ul/9721034854/BoseWhitePaper_ed2b~~.pdf Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification] This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}.		* [[Media:BoseWhitePaper ed2b.pdf\|Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification] This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}.

	* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group		* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle — Co-founder & Vice President of Product Development Line 6 Incorporated, <br />Kenneth Jacob — Chief Engineer & Director Bose Live Music Technology Group

ST: /* L1® */

2008-08-14T18:20:37Z

L1®

← Older revision		Revision as of 18:20, 14 August 2008
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	== Bose White Papers ==		== Bose White Papers ==

	=== L1&~~trade~~; ===		=== L1® ===
	* [http://bose.infopop.cc/eve/forums/a/ga/ul/9721034854/BoseWhitePaper_ed2b.pdf Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification] This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}.		* [http://bose.infopop.cc/eve/forums/a/ga/ul/9721034854/BoseWhitePaper_ed2b.pdf Applying the Benefits of Unamplified Acoustic Music to Performances with Amplification] This is a wonderful document that will be of interest to all musicians, music lovers and anyone interested in the {{L1}}. It speaks to the intent, technology and the application of the {{PAS}}.