The L1® Approach and the History Of Amplification - Revision history

ST at 19:06, 6 February 2024

2024-02-06T19:06:55Z

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			[https://www.youtube.com/watch?v=YY9JjH00QTI The L1® Approach and the History Of Amplification]

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ST at 19:05, 6 February 2024

2024-02-06T19:05:02Z

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	~~High Resolution \| [[The L1® Approach and the History Of Amplification / Medium Resolution\|Medium Resolution]] \| [[The L1® Approach and the History Of Amplification / Low Resolution\|Low resolution]]~~

	The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.		The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.
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ST at 03:35, 14 June 2020

2020-06-14T03:35:18Z

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ST: ST moved page The L1Â® Approach and the History Of Amplification to The L1® Approach and the History Of Amplification

2017-03-26T09:51:32Z

ST moved page The L1Â® Approach and the History Of Amplification to The L1® Approach and the History Of Amplification

← Older revision	Revision as of 09:51, 26 March 2017
(No difference)

ST at 09:24, 6 December 2016

2016-12-06T09:24:11Z

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ST: formatting

2010-01-21T20:20:22Z

formatting

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	High Resolution \| [[The L1® Approach and the History Of Amplification / Medium Resolution\|Medium Resolution]] \| [[The L1® Approach and the History Of Amplification / Low Resolution\|Low resolution]]		High Resolution \| [[The L1® Approach and the History Of Amplification / Medium Resolution\|Medium Resolution]] \| [[The L1® Approach and the History Of Amplification / Low Resolution\|Low resolution]]

	The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.		The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.
	</div>		</div>

ST: links and formatting

2010-01-21T20:19:32Z

links and formatting

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			High Resolution \| [[The L1® Approach and the History Of Amplification / Medium Resolution\|Medium Resolution]] \| [[The L1® Approach and the History Of Amplification / Low Resolution\|Low resolution]]
	The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.		The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.
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ST: Protected "The L1® Approach and the History Of Amplification": Bose proprietary content [edit=sysop:move=sysop]

2010-01-20T23:01:33Z

Protected "The L1® Approach and the History Of Amplification": Bose proprietary content [edit=sysop:move=sysop]

← Older revision	Revision as of 23:01, 20 January 2010
(No difference)

ST at 22:36, 20 January 2010

2010-01-20T22:36:07Z

← Older revision		Revision as of 22:36, 20 January 2010
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	The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems (backline, monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.		The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems ([[Instruments_/_Backline_Amplifiers\|backline]], monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.

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ST: Introductory text

2010-01-20T22:31:13Z

Introductory text

← Older revision		Revision as of 22:31, 20 January 2010
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			The {{L1}} approach to amplifying live music is based on the qualities of unamplified music: each musician in control of his or her sound, the ability to hear oneself and each other, and the sound of each voice and instrument coming from its unique location. This video explains the major historical eras of amplification, from the early days of individual instrument amplification to the era of triple systems (backline, monitors, PA) and the present era that includes the new {{L1 nl}} approach. The unique behavior of the {{L1 nl}} loudspeaker is described along with how it is used by musicians.

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