T1 Compatibility With L1 Pro Systems - Revision history

ST at 18:17, 27 February 2026

2026-02-27T18:17:53Z

← Older revision		Revision as of 18:17, 27 February 2026
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	;Question: Can I use the {{T1}} with the {{L1PS}}s?		;Question: Can I use the {{T1}} with the {{L1PS}}s?
	[[File:T1 to L1 Pro.jpg\|~~600px~~\|right]]		[[File:T1 to L1 Pro.jpg\|400px\|right]]
	;Answer: Yes using two connections		;Answer: Yes using two connections
	# ToneMatch port supplies power to the {{T1}}		# ToneMatch port supplies power to the {{T1}}
	# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)		# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)

	:; Required		:; Required
	# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}} for power.		# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}} for power.
	# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.		# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.


	;Connections and initial settings		;Connections and initial settings
	# On the L1 Pro, turn off the system and turn down the volume on all channels		# On the L1 Pro, turn off the system and turn down the volume on all channels

ST at 01:16, 27 February 2026

2026-02-27T01:16:07Z

← Older revision		Revision as of 01:16, 27 February 2026
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	# On the {{T1}}, turn the Master Volume off		# On the {{T1}}, turn the Master Volume off
	# Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable		# Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable
	# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources.		# Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources.
			#* On channel 3, set Treble and Bass at 12:00 (flat)
	#* If you connect to {{L1P}} channel 1 or channel 2		#* If you connect to {{L1P}} channel 1 or channel 2
	#** On the {{L1P}} channel:		#** On the {{L1P}} channel:

ST at 21:42, 26 February 2026

2026-02-26T21:42:11Z

← Older revision		Revision as of 21:42, 26 February 2026
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	# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)		# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)

	; Required		:; Required
			# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}} for power.
	# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.		# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.
	~~# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet~~
	~~<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}}~~

	;Connections and initial settings		;Connections and initial settings

ST at 21:40, 26 February 2026

2026-02-26T21:40:00Z

← Older revision		Revision as of 21:40, 26 February 2026
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	; Required		; Required
	# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.		# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.
	# ToneMatch cable (these were included with the {{T1}}, or network cable (CAT5/6/7) up to 50 feet		# ToneMatch cable (these were included with the {{T1}}), or network cable (CAT5/6/7) up to 50 feet
	<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}}		<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}}

ST at 21:36, 26 February 2026

2026-02-26T21:36:41Z

← Older revision		Revision as of 21:36, 26 February 2026
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	; Required		; Required
	# {{~~TRS~~}} cable. This is the preferred cable for best results, but you can use a {{TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.		# {{14TRS}} cable. This is the preferred cable for best results, but you can use a {{14TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.
	# ToneMatch cable (these were included with the {{T1}}, or network cable (CAT5/6/7) up to 50 feet		# ToneMatch cable (these were included with the {{T1}}, or network cable (CAT5/6/7) up to 50 feet
	<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}}		<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}}

ST at 21:35, 26 February 2026

2026-02-26T21:35:15Z

← Older revision		Revision as of 21:35, 26 February 2026
Line 4:		Line 4:
	# ToneMatch port supplies power to the {{T1}}		# ToneMatch port supplies power to the {{T1}}
	# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)		# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)

			; Required
			# {{TRS}} cable. This is the preferred cable for best results, but you can use a {{TS}} cable. You'll be more vulnerable to line noise but if your cable length is less than 20-25 feet, this can work.
			# ToneMatch cable (these were included with the {{T1}}, or network cable (CAT5/6/7) up to 50 feet
			<br>OR you can use a ToneMatch Power Supply instead of connecting to the {{L1PS}}

	;Connections and initial settings		;Connections and initial settings

ST at 15:37, 4 November 2024

2024-11-04T15:37:20Z

← Older revision		Revision as of 15:37, 4 November 2024
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	[[File:T1 to L1 Pro.jpg\|600px\|right]]		[[File:T1 to L1 Pro.jpg\|600px\|right]]
	;Answer: Yes using two connections		;Answer: Yes using two connections
			# ToneMatch port supplies power to the {{T1}}
			# An analog cable from the {{T1}} Master Output to one of the L1 Pro channels (preferably channel 3)

	;Connections and initial settings		;Connections and initial settings

ST at 15:27, 4 November 2024

2024-11-04T15:27:52Z

← Older revision		Revision as of 15:27, 4 November 2024
Line 29:		Line 29:
	#* Turn up the Master volume to the desired level		#* Turn up the Master volume to the desired level

			; Why do you need two connections?
	<blockquote>		<blockquote>
	Regarding T1 compatibility with the L1 Pro systems: The architecture of the T1 ToneMatch differs from that of the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture.		Regarding T1 compatibility with the L1 Pro systems: The architecture of the T1 ToneMatch differs from that of the T4S and T8S ToneMatch mixers and is not compatible with the L1 Pro’s S/PDIF audio architecture.

ST at 15:26, 4 November 2024

2024-11-04T15:26:48Z

← Older revision		Revision as of 15:26, 4 November 2024
Line 18:		Line 18:
	: Summary: Set the L1 Pro channel volume and the {{T1}} Master Volume to 12:00 o'clock and adjust from there as necessary		: Summary: Set the L1 Pro channel volume and the {{T1}} Master Volume to 12:00 o'clock and adjust from there as necessary
	;Details		;Details
	# Turn on the L1 Pro (normally you would turn on the power amplifier last, but you need it turned on to power the {{T1}}		# Turn on the L1 Pro (normally you would turn on the power amplifier last, but you need it turned on to power the {{T1}})
	# On the {{T1}}		# On the {{T1}}
	#* Attach a signal source to one of the {{T1}}, e.g., a microphone		#* Attach a signal source to one of the {{T1}}, e.g., a microphone

ST at 15:26, 4 November 2024

2024-11-04T15:26:18Z

@@ Line 1: / Line 1: @@
 ;Question: Can I use the {{T1}} with the {{L1PS}}s?
 [[File:T1 to L1 Pro.jpg|600px|right]]
 ;Answer: Yes using two connections
 # Power: Connect the {{L1P}} ToneMatch port to the {{T1}} ToneMatch port using the ToneMatch cable
 # Audio: Connect the {{T1}} Master Output to the {{L1P}} channel 3 unless you are already using it for Bluetooth or another sound source. This leaves channels 1 and 2 open for other sound sources.
@@ Line 9: / Line 13: @@
 #***Turn off Reverb
 #***Set Bass and Treble to 12:00 o'clock
-#* For best results, use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a [[Balanced_vs_Unbalanced#Balanced_Connections_Preferred_When_Possible|balanced connection]] [[File:14trstotrs.jpg|200px|right]]
+#* '''For best results''', use a 1/4 inch (6.3 mm) Tip-Ring-Sleeve cable for a [[Balanced_vs_Unbalanced#Balanced_Connections_Preferred_When_Possible|balanced connection]] [[File:14trstotrs.jpg|200px|right]]
 <blockquote>