LR Baggs Session DI to ToneMatch Mixer T1/T4S/T8S - Revision history

ST: /* XLR Balanced */

2020-02-03T19:13:08Z

XLR Balanced

← Older revision		Revision as of 19:13, 3 February 2020
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	You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.		You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.

	=== XLR ~~Balanced~~ ===		=== XLR Output ===
	[[File:LR Baggs Session DI XLR to T4S.jpg\|thumb\|LR Baggs Session DI XLR]]		[[File:LR Baggs Session DI XLR to T4S.jpg\|thumb\|LR Baggs Session DI XLR]]
	Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work~~. The XLR cable will give you a balanced<ref>[[Balanced vs Unbalanced]]</ref> connection and balanced connections are preferable to unbalanced connections in most situations~~.		The XLR cable will give you a balanced<ref>[[Balanced vs Unbalanced]]</ref> connection and balanced connections are preferable to unbalanced connections in most situations.

			==== Phantom Power ====
			[[File:T4S T8S Phantom On.jpg.jpg\|thumb\|ToneMatch Mixer Phantom Power]]
			Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work.

	=== 1/4 inch (6.3mm) Tip-Sleeve Unbalanced===		=== 1/4 inch (6.3mm) Tip-Sleeve Unbalanced===

ST: /* Connections and Phantom Power */

2020-02-03T18:57:54Z

Connections and Phantom Power

← Older revision		Revision as of 18:57, 3 February 2020
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	You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.		You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.

	Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work. The XLR cable will give you a balanced<ref>[[Balanced vs Unbalanced]]</ref> connection and balanced connections are preferable to unbalanced connections in most situations~~. The 1/4 inch (6.3mm) Tip-Sleeve cable connection will give you an unbalanced connection~~.		=== XLR Balanced ===
			[[File:LR Baggs Session DI XLR to T4S.jpg\|thumb\|LR Baggs Session DI XLR]]
			Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work. The XLR cable will give you a balanced<ref>[[Balanced vs Unbalanced]]</ref> connection and balanced connections are preferable to unbalanced connections in most situations.

			=== 1/4 inch (6.3mm) Tip-Sleeve Unbalanced===
			[[File:LR Baggs Session DI 14 to T4S.jpg\|thumb\|LR Baggs Session DI 1/4 TS]]

			The 1/4 inch (6.3mm) Tip-Sleeve cable connection will give you an unbalanced connection. You will need to provide power for the LR Baggs Session DI with the internal battery or external power supply.

	==LR Baggs Session DI Settings==		==LR Baggs Session DI Settings==

ST: ST moved page LR Baggs Session DI to T4S or T8S to LR Baggs Session DI to ToneMatch Mixer T1/T4S/T8S

2020-02-03T17:55:49Z

ST moved page LR Baggs Session DI to T4S or T8S to LR Baggs Session DI to ToneMatch Mixer T1/T4S/T8S

← Older revision	Revision as of 17:55, 3 February 2020
(No difference)

ST at 17:50, 3 February 2020

2020-02-03T17:50:19Z

← Older revision		Revision as of 17:50, 3 February 2020
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	# Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4		# Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4
	# Set the channel's Trim Control		# Set the channel's Trim Control
	#* Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim		#: Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim
	# Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI		# Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI
	# Set the ToneMatch Preset to		# Set the ToneMatch Preset to
	#* Category: Acoustic Guitars		#: Category: Acoustic Guitars
	#* Preset: Flat, A. Guitar zEQ		#: Preset: Flat, A. Guitar zEQ
	# Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can		# Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can
	# Turn up the Channel and Master Volume controls so you can hear the guitar		# Turn up the Channel and Master Volume controls so you can hear the guitar
	# Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them.		# Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them.
	#*Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect		#:Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect

ST: /* LR Baggs Session DI Settings */

2020-02-03T17:49:07Z

LR Baggs Session DI Settings

← Older revision		Revision as of 17:49, 3 February 2020
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	==LR Baggs Session DI Settings==		==LR Baggs Session DI Settings==
	# Follow the instructions for setting the GAIN control		# Follow the instructions for setting the GAIN control
	:::B. Gain Setting		#:B. Gain Setting<br>The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.
	~~:::~~The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.
	#Follow the instructions for setting the other controls on the LR Baggs Session DI		#Follow the instructions for setting the other controls on the LR Baggs Session DI

ST: /* LR Baggs Session DI Settings */

2020-02-03T17:47:51Z

LR Baggs Session DI Settings

← Older revision		Revision as of 17:47, 3 February 2020
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	==LR Baggs Session DI Settings==		==LR Baggs Session DI Settings==
	# Follow the instructions for setting the GAIN control		# Follow the instructions for setting the GAIN control
	:B. Gain Setting		:::B. Gain Setting
	::The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.		:::The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.
	#Follow the instructions for setting the other controls on the LR Baggs Session DI		#Follow the instructions for setting the other controls on the LR Baggs Session DI

ST at 17:36, 3 February 2020

2020-02-03T17:36:42Z

← Older revision		Revision as of 17:36, 3 February 2020
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	</div>		</div>

	=== Connections and Phantom Power ===		== Connections and Phantom Power ==

	You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.		You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.
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	===LR Baggs Session DI Settings===		==LR Baggs Session DI Settings==
	# Follow the instructions for setting the GAIN control		# Follow the instructions for setting the GAIN control
	:B. Gain Setting		:B. Gain Setting
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	#Follow the instructions for setting the other controls on the LR Baggs Session DI		#Follow the instructions for setting the other controls on the LR Baggs Session DI

	===T4S/T8S or T1 ToneMatch Mixer===		==T4S/T8S or T1 ToneMatch Mixer==
	# Before making any connections, turn down the Master Output		# Before making any connections, turn down the Master Output
	# If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power		# If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power
Line 34:		Line 34:
	#*Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect		#*Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect

	~~<!--~~
	*Before making any connections, turn down the Master Output</li>
	<li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li>
	*Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li>
	~~<li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li>~~
	*Turn up the Channel and Master Volume controls so you can hear the guitar</li>
	<li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>
	~~</ul>~~
	~~-->~~

ST at 17:31, 3 February 2020

2020-02-03T17:31:38Z

← Older revision		Revision as of 17:31, 3 February 2020
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	===LR Baggs Session DI Settings===		===LR Baggs Session DI Settings===
	* Follow the instructions for setting the GAIN control		# Follow the instructions for setting the GAIN control
	:B. Gain Setting		:B. Gain Setting
	::The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.		::The gain is one of the most important keys to achieving optimum sound quality and signal-to-noise ratio. If you have a volume control on your guitar, make sure it is turned all the way up before setting the gain. Begin with the gain control in the counter-clockwise position. Turn the control clockwise as you strum the guitar until the VU meter flashes red slightly at your loudest playing level. If red flashes too frequently, the input is clipping and you may experience unwanted distortion. Best results are achieved when the yellow flashes consistently.
	*Follow the instructions for setting the other controls on the LR Baggs Session DI		#Follow the instructions for setting the other controls on the LR Baggs Session DI

	===T4S/T8S or T1 ToneMatch Mixer===		===T4S/T8S or T1 ToneMatch Mixer===
	<~~ul>~~		# Before making any connections, turn down the Master Output
	~~<li>~~Before making any connections, turn down the Master Output</li><li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li>		# If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power
	~~<li>~~Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li><li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li>		# Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4
	~~<li>~~Turn up the Channel and Master Volume controls so you can hear the guitar</li><li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>		# Set the channel's Trim Control
			#* Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim
			# Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI
			# Set the ToneMatch Preset to
			#* Category: Acoustic Guitars
			#* Preset: Flat, A. Guitar zEQ
			# Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can
			# Turn up the Channel and Master Volume controls so you can hear the guitar
			# Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them.
			#*Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect

			<!--
			*Before making any connections, turn down the Master Output</li>
			<li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li>
			*Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li>
			<li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li>
			*Turn up the Channel and Master Volume controls so you can hear the guitar</li>
			<li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>
	</ul>		</ul>
			-->

	~~====~~

ST at 17:17, 3 February 2020

2020-02-03T17:17:03Z

@@ Line 1: / Line 1: @@
-<html>
+<div class="tocdiv">
-Looking at the&nbsp;<a href="https://ucf4afc92fb1b9294fd33655a70b.dl.dropboxusercontent.com/cd/0/inline2/AxZe7mMdDIOug6_W6TUIPMAZ_FzcPsE9mV2IK2Qj1YuhmmYT_jo_nHI6SxgTrECZc8xlzmEaTVM41Jzwezl5_4_fkUfstrRXgo4dMxlp8nY3caZShy9DGUfUlUTnixBYxvWwjnG-zhZaqSKRimllVawuM3OXeoDLOWoK59Zi6xHpNFfq1JYhk15y14hFNzfefiwb7HAV7fP1gwiONCg6bQO5gSrT09Av1SW8zDgFT_ZH_UqJo4qB7VmSJjw058xY0KoF73Z6iila_myZnG41NRT2QaMaEpEgtRAT-9T5SYi-rV962nOt2ft9Iah2MxMhkCXqRMXU-UOx8OQ9hHXvHJz3/file" rel="noopener noreferrer" target="_blank">owner's guide for the LR Baggs Session DI</a>, it appears it was designed to be used between the output of your acoustic guitar and the input of a mixer or PA system. With the T4S settings set to FLAT/Bypass follow the instructions in the LR Baggs owner's guide to set up the sound to your liking.&nbsp; See the details below.</p><p>You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.</p><p>Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work.&nbsp; The XLR cable will give you a balanced connection and balanced connections are preferable to unbalanced connections in most situations. The 1/4 inch (6.3mm) Tip-Sleeve cable connection will give you an unbalanced connection.</p><h3>LR Baggs Session DI Settings</h3><ul><li>Follow the instructions for setting the GAIN control <blockquote><span style="left: 45px; top: 512.448px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.945139);">B. Gain</span> <span style="left: 45px; top: 530.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.892662);">Setting the gain is one of the most important keys to</span> <span style="left: 45px; top: 547.972px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.935918);">achieving optimum sound quality and signal-to-noise</span> <span style="left: 45px; top: 565.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.872787);">ratio. If you have a volume control on your guitar, make sure</span><span style="left: 45px; top: 582.972px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.951725);">it is turned all the way up before setting the gain. Begin</span> <span style="left: 45px; top: 600.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.968735);">with the gain control in the counter-clockwise position.</span> <span style="left: 45px; top: 42.1383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.963403);">Turn the control clockwise as you strum the guitar until</span> <span style="left: 45px; top: 59.6383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.940142);">the VU meter flashes red slightly at your loudest playing</span> <span style="left: 45px; top: 77.1383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.903773);">level. If red flashes too frequently, the input is clipping and</span><span style="left: 45px; top: 94.6383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.912241);">you may experience unwanted distortion. Best results</span> <span style="left: 45px; top: 112.138px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.9444);">are achieved when the yellow flashes consistently.</span></blockquote></li><li>Follow the instructions for setting the other controls on the LR Baggs Session DI</li></ul>
+    <div>__TOC__</div>
 ----

ST at 16:56, 3 February 2020

2020-02-03T16:56:07Z

← Older revision		Revision as of 16:56, 3 February 2020
Line 2:		Line 2:
	Looking at the <a href="https://ucf4afc92fb1b9294fd33655a70b.dl.dropboxusercontent.com/cd/0/inline2/AxZe7mMdDIOug6_W6TUIPMAZ_FzcPsE9mV2IK2Qj1YuhmmYT_jo_nHI6SxgTrECZc8xlzmEaTVM41Jzwezl5_4_fkUfstrRXgo4dMxlp8nY3caZShy9DGUfUlUTnixBYxvWwjnG-zhZaqSKRimllVawuM3OXeoDLOWoK59Zi6xHpNFfq1JYhk15y14hFNzfefiwb7HAV7fP1gwiONCg6bQO5gSrT09Av1SW8zDgFT_ZH_UqJo4qB7VmSJjw058xY0KoF73Z6iila_myZnG41NRT2QaMaEpEgtRAT-9T5SYi-rV962nOt2ft9Iah2MxMhkCXqRMXU-UOx8OQ9hHXvHJz3/file" rel="noopener noreferrer" target="_blank">owner's guide for the LR Baggs Session DI</a>, it appears it was designed to be used between the output of your acoustic guitar and the input of a mixer or PA system. With the T4S settings set to FLAT/Bypass follow the instructions in the LR Baggs owner's guide to set up the sound to your liking.  See the details below.</p><p>You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.</p><p>Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work.  The XLR cable will give you a balanced connection and balanced connections are preferable to unbalanced connections in most situations. The 1/4 inch (6.3mm) Tip-Sleeve cable connection will give you an unbalanced connection.</p><h3>LR Baggs Session DI Settings</h3><ul><li>Follow the instructions for setting the GAIN control <blockquote><span style="left: 45px; top: 512.448px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.945139);">B. Gain</span> <span style="left: 45px; top: 530.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.892662);">Setting the gain is one of the most important keys to</span> <span style="left: 45px; top: 547.972px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.935918);">achieving optimum sound quality and signal-to-noise</span> <span style="left: 45px; top: 565.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.872787);">ratio. If you have a volume control on your guitar, make sure</span><span style="left: 45px; top: 582.972px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.951725);">it is turned all the way up before setting the gain. Begin</span> <span style="left: 45px; top: 600.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.968735);">with the gain control in the counter-clockwise position.</span> <span style="left: 45px; top: 42.1383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.963403);">Turn the control clockwise as you strum the guitar until</span> <span style="left: 45px; top: 59.6383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.940142);">the VU meter flashes red slightly at your loudest playing</span> <span style="left: 45px; top: 77.1383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.903773);">level. If red flashes too frequently, the input is clipping and</span><span style="left: 45px; top: 94.6383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.912241);">you may experience unwanted distortion. Best results</span> <span style="left: 45px; top: 112.138px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.9444);">are achieved when the yellow flashes consistently.</span></blockquote></li><li>Follow the instructions for setting the other controls on the LR Baggs Session DI</li></ul>		Looking at the <a href="https://ucf4afc92fb1b9294fd33655a70b.dl.dropboxusercontent.com/cd/0/inline2/AxZe7mMdDIOug6_W6TUIPMAZ_FzcPsE9mV2IK2Qj1YuhmmYT_jo_nHI6SxgTrECZc8xlzmEaTVM41Jzwezl5_4_fkUfstrRXgo4dMxlp8nY3caZShy9DGUfUlUTnixBYxvWwjnG-zhZaqSKRimllVawuM3OXeoDLOWoK59Zi6xHpNFfq1JYhk15y14hFNzfefiwb7HAV7fP1gwiONCg6bQO5gSrT09Av1SW8zDgFT_ZH_UqJo4qB7VmSJjw058xY0KoF73Z6iila_myZnG41NRT2QaMaEpEgtRAT-9T5SYi-rV962nOt2ft9Iah2MxMhkCXqRMXU-UOx8OQ9hHXvHJz3/file" rel="noopener noreferrer" target="_blank">owner's guide for the LR Baggs Session DI</a>, it appears it was designed to be used between the output of your acoustic guitar and the input of a mixer or PA system. With the T4S settings set to FLAT/Bypass follow the instructions in the LR Baggs owner's guide to set up the sound to your liking.  See the details below.</p><p>You have the option to connect the LR Baggs Session DI to the T4S using an XLR or 1/4 inch (6.3 mm) Tip-Sleeve cable.</p><p>Using the XLR cable, you may be able to use phantom power from the T4S, although the T4S phantom power is engineered for microphones (only), this may still work.  The XLR cable will give you a balanced connection and balanced connections are preferable to unbalanced connections in most situations. The 1/4 inch (6.3mm) Tip-Sleeve cable connection will give you an unbalanced connection.</p><h3>LR Baggs Session DI Settings</h3><ul><li>Follow the instructions for setting the GAIN control <blockquote><span style="left: 45px; top: 512.448px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.945139);">B. Gain</span> <span style="left: 45px; top: 530.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.892662);">Setting the gain is one of the most important keys to</span> <span style="left: 45px; top: 547.972px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.935918);">achieving optimum sound quality and signal-to-noise</span> <span style="left: 45px; top: 565.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.872787);">ratio. If you have a volume control on your guitar, make sure</span><span style="left: 45px; top: 582.972px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.951725);">it is turned all the way up before setting the gain. Begin</span> <span style="left: 45px; top: 600.472px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.968735);">with the gain control in the counter-clockwise position.</span> <span style="left: 45px; top: 42.1383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.963403);">Turn the control clockwise as you strum the guitar until</span> <span style="left: 45px; top: 59.6383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.940142);">the VU meter flashes red slightly at your loudest playing</span> <span style="left: 45px; top: 77.1383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.903773);">level. If red flashes too frequently, the input is clipping and</span><span style="left: 45px; top: 94.6383px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.912241);">you may experience unwanted distortion. Best results</span> <span style="left: 45px; top: 112.138px; font-size: 14.1667px; font-family: sans-serif; transform: scaleX(0.9444);">are achieved when the yellow flashes consistently.</span></blockquote></li><li>Follow the instructions for setting the other controls on the LR Baggs Session DI</li></ul>

	<h3>~~On the~~ T4S</h3><ul><li>Before making any connections, turn down the Master Output</li><li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li><li><p>Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li><li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li><li>Turn up the Channel and Master Volume controls so you can hear the guitar</li><li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>		<h3>T4S/T8S or T1 ToneMatch Mixer</h3><ul><li>Before making any connections, turn down the Master Output</li><li>If you are using the Phantom Power, turn down the Master Output before turning on the Phantom Power</li><li>Connect the LR Baggs Session DI to one of the channels 1, 2, 3, or 4</li><li>Set the channel's Trim Control <ul><li>Play the guitar as loud as you will during the performance and set the trim control so you see solid green (occasional flickers of red). If you see solid red, turn down the trim</li></ul></li><li>Press the CH EDIT button for the channel to which you have connected the LR Baggs Session DI</li><li><p>Set the ToneMatch Preset to<br>Category: Acoustic Guitars<br>Preset: Flat, A. Guitar zEQ</p></li><li>Bypass the zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB settings and use the controls on the LR Baggs Session DI to get the best sound you can</li><li>Turn up the Channel and Master Volume controls so you can hear the guitar</li><li>Add zEQ, ParaEQ, COMP/GATE, MOD, DELAY, and REVERB only after getting the best sound possible without them. Make changes to only one feature at a time and use the Bypass feature (it's called Mute, for Reverb) to compare the sound with and without and effect</li>
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