L1® for Studio Monitoring - Revision history

ST: ST moved page L1Â® for Studio Monitoring to L1® for Studio Monitoring

2017-03-26T22:12:47Z

ST moved page L1Â® for Studio Monitoring to L1® for Studio Monitoring

← Older revision	Revision as of 22:12, 26 March 2017
(No difference)

Drumr at 17:31, 1 October 2008

2008-10-01T17:31:39Z

← Older revision		Revision as of 17:31, 1 October 2008
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	== Live Recordings ==		== Live Recordings ==

			These mixes are quickies made in the living room after we recorded them.
			We used the L1 as the monitor speaker.

	* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/01_For%20The%20Good%20Times.mp3 For the Good Times.mp3]		* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/01_For%20The%20Good%20Times.mp3 For the Good Times.mp3]
	* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/02_It%27s_Such_A_Pretty_World.mp3 It's Such A Pretty World.mp3]		* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/02_It%27s_Such_A_Pretty_World.mp3 It's Such A Pretty World.mp3]

Drumr at 16:21, 1 October 2008

2008-10-01T16:21:43Z

← Older revision		Revision as of 16:21, 1 October 2008
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	During tracking we used the Project's individual outputs for vocal, acoustic guitar, bass, and [[PorchBoard Floor Bass]] into T1<sup>®</sup> channels 1 through 3. We used Bose preset EQ for the vocal and acoustic guitar channels, (none needed for bass & PorchBoard). This gave a great sound in the room, and allowed us to concentrate on the music and the mix without a thought about the recording. Quite a nice freedom.		During tracking we used the Project's individual outputs for vocal, acoustic guitar, bass, and [[PorchBoard Floor Bass]] into T1<sup>®</sup> channels 1 through 3. We used Bose preset EQ for the vocal and acoustic guitar channels, (none needed for bass & PorchBoard). This gave a great sound in the room, and allowed us to concentrate on the music and the mix without a thought about the recording. Quite a nice freedom.

			(As a sidenote, you can also plug mics needing monitoring in the T1 first, then route to the interface via the T1's Direct Out. I have done this and it works great, as the output from the T1 is Pre-Fader, so volume sent to the recording interface is controlled by the Trim control, while the signal to the L1 is from the Fader.)

	Set up was quick, simple, and required very little space in the room. At the end of the day I made quick mixes using the {{L1 no link}}. After remixing everything in the studio later with my studio monitors, I found that I much preferred the {{L1 no link}} mix! It sounded much more like what we heard in the room as we recorded.		Set up was quick, simple, and required very little space in the room. At the end of the day I made quick mixes using the {{L1 no link}}. After remixing everything in the studio later with my studio monitors, I found that I much preferred the {{L1 no link}} mix! It sounded much more like what we heard in the room as we recorded.

Drumr: /* Live Recordings */

2008-09-29T14:50:56Z

Live Recordings

← Older revision		Revision as of 14:50, 29 September 2008
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	Mini-on-location Control room:		Mini-on-location Control room:

	[[Image:Laptop-T1-FSP.jpg]]		[[Image:Laptop-T1-FSP.jpg\|400px]]

	Chuck and Guitar		Chuck and Guitar

	[[Image:ChuckAndGtr.jpg\|~~600px~~]]		[[Image:ChuckAndGtr.jpg\|400px]]

	Burr		Burr

	[[Image:BurrsSeat.jpg\|~~600px~~]]		[[Image:BurrsSeat.jpg\|400px]]

	Drums and Steel		Drums and Steel

	[[Image:DrumsAndSteel.jpg\|~~600px~~]]		[[Image:DrumsAndSteel.jpg\|400px]]

	Sketcher image of the ins and outs of the session		Sketcher image of the ins and outs of the session

	[[Image:CabinSetup.jpg\|800px]]		[[Image:CabinSetup.jpg\|800px]]

Drumr at 14:33, 29 September 2008

2008-09-29T14:33:49Z

← Older revision		Revision as of 14:33, 29 September 2008
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	[[Image:DrumsAndSteel.jpg\|600px]]		[[Image:DrumsAndSteel.jpg\|600px]]

			Sketcher image of the ins and outs of the session

			[[Image:CabinSetup.jpg\|800px]]

Drumr at 23:42, 28 September 2008

2008-09-28T23:42:21Z

← Older revision		Revision as of 23:42, 28 September 2008
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	'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''		'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''
	[[Image:Studio2008.jpg\|~~400px~~\|right\| T1® L1® Laptop]]		[[Image:Studio2008.jpg\|300px\|right\| T1® L1® Laptop]]
	The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.		The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.

Drumr at 23:41, 28 September 2008

2008-09-28T23:41:36Z

← Older revision		Revision as of 23:41, 28 September 2008
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	'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''		'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''
	[[Image:Studio2008.jpg\|~~300px~~\|right\| T1® L1® Laptop]]		[[Image:Studio2008.jpg\|400px\|right\| T1® L1® Laptop]]
	The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.		The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.

Drumr at 23:41, 28 September 2008

2008-09-28T23:41:10Z

← Older revision		Revision as of 23:41, 28 September 2008
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	'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''		'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''
			[[Image:Studio2008.jpg\|300px\|right\| T1® L1® Laptop]]
	The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.		The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.

Drumr at 23:40, 28 September 2008

2008-09-28T23:40:15Z

← Older revision		Revision as of 23:40, 28 September 2008
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	'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''		'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''
	~~[[Image:Laptop-T1-FSP.jpg\|300px\|right\| T1® L1® Laptop]]~~
	The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.		The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.

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	* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/03_Talk_Back_Tremblin_Lips.mp3 Talk Back Tremblin Lips.mp3]		* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/03_Talk_Back_Tremblin_Lips.mp3 Talk Back Tremblin Lips.mp3]
	* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/04_Getting_Over_You_Again.mp3 Getting Over You Again.mp3]		* [http://www.studio9music.com/studio9/music/BurrAndTheBoys/04_Getting_Over_You_Again.mp3 Getting Over You Again.mp3]

			Mini-on-location Control room:

			[[Image:Laptop-T1-FSP.jpg]]

	Chuck and Guitar		Chuck and Guitar

ST: formatting

2008-09-20T10:19:11Z

formatting

← Older revision		Revision as of 10:19, 20 September 2008
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	'''<big>The {{Model II}}, {{T1}}, and the modern home recording studio</big>'''		'''<big>The {{Model II no link}}, {{T1 no link}}, and the modern home recording studio</big>'''
	[[Image:Laptop-T1-FSP.jpg\|300px\|right\| T1® L1® Laptop]]		[[Image:Laptop-T1-FSP.jpg\|300px\|right\| T1® L1® Laptop]]
	The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.		The {{Model II}} & {{T1}} make an excellent alternate monitoring system for the multi-track recording studio, and particularly, for live recording.
Line 5:		Line 5:
	I have been using the {{Classic}} since 2004 and the {{Model II}} since it came out. Either {{L1 no link}}'s flat response is perfect for checking overall instrument tone and balance, especially the reverb levels. Multiple monitoring systems are typical in most all studios, and the {{L1 no link}} is a fine cross reference tool, when used in conjunction with other [http://www.mackie.com/products/hrmk2series nearfield monitors]		I have been using the {{Classic}} since 2004 and the {{Model II}} since it came out. Either {{L1 no link}}'s flat response is perfect for checking overall instrument tone and balance, especially the reverb levels. Multiple monitoring systems are typical in most all studios, and the {{L1 no link}} is a fine cross reference tool, when used in conjunction with other [http://www.mackie.com/products/hrmk2series nearfield monitors]

	The {{L1 no link}}'s use in the studio as a PA monitor during tracking and dubbing sessions is also substantial. The {{L1 no link}} frees us from fatigue inducing headphones, and it's smooth response at low volumes does not leak unwanted (boomy or shrill) frequencies into open microphones in the room. It's even spread, when it does leak into ~~microphoness~~ tends to give the recording a fuller room sound without the honk of a typical floor type monitor.		The {{L1 no link}}'s use in the studio as a PA monitor during tracking and dubbing sessions is also substantial. The {{L1 no link}} frees us from fatigue inducing headphones, and it's smooth response at low volumes does not leak unwanted (boomy or shrill) frequencies into open microphones in the room. It's even spread, when it does leak into microphones tends to give the recording a fuller room sound without the honk of a typical floor type monitor.

	As a remote live recording sound system the {{L1 no link}} <i>really</i> shines! Easily portable, sets up in a small space, and is the live PA and playback/dubbing monitor all in one. The {{T1}} expands greatly on it's usefulness. An {{L1 no link}}, a {{T1 no link}}, a laptop, and a firewire or other digital in/out recording interface, and you are ready to roll. They days of washing machine size recorders, mixing consoles, and large wall mount monitor speakers are over...thankfully.		As a remote live recording sound system the {{L1 no link}} <i>really</i> shines! Easily portable, sets up in a small space, and is the live PA and playback/dubbing monitor all in one. The {{T1 no link}} expands greatly on it's usefulness. An {{L1 no link}}, a {{T1 no link}}, a laptop, and a firewire or other digital in/out recording interface, and you are ready to roll. They days of washing machine size recorders, mixing consoles, and large wall mount monitor speakers are over...thankfully.

	Here is an example of a recent set up that I used for recording a 4 piece band on location, in a small living room.		Here is an example of a recent set up that I used for recording a 4 piece band on location, in a small living room.