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	<title>Earliest Sketch of New Approach - Revision history</title>
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	<updated>2026-04-05T23:43:49Z</updated>
	<subtitle>Revision history for this page on the wiki</subtitle>
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	<entry>
		<id>https://boseperformer.com/index.php?title=Earliest_Sketch_of_New_Approach&amp;diff=13365&amp;oldid=prev</id>
		<title>ST: Protected &quot;Earliest Sketch of New Approach&quot; [edit=sysop:move=sysop]</title>
		<link rel="alternate" type="text/html" href="https://boseperformer.com/index.php?title=Earliest_Sketch_of_New_Approach&amp;diff=13365&amp;oldid=prev"/>
		<updated>2011-04-24T14:58:33Z</updated>

		<summary type="html">&lt;p&gt;Protected &amp;quot;&lt;a href=&quot;/Earliest_Sketch_of_New_Approach&quot; title=&quot;Earliest Sketch of New Approach&quot;&gt;Earliest Sketch of New Approach&lt;/a&gt;&amp;quot; [edit=sysop:move=sysop]&lt;/p&gt;
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				&lt;tr class=&quot;diff-title&quot; lang=&quot;en&quot;&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;1&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 14:58, 24 April 2011&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-notice&quot; lang=&quot;en&quot;&gt;&lt;div class=&quot;mw-diff-empty&quot;&gt;(No difference)&lt;/div&gt;
&lt;/td&gt;&lt;/tr&gt;&lt;/table&gt;</summary>
		<author><name>ST</name></author>
	</entry>
	<entry>
		<id>https://boseperformer.com/index.php?title=Earliest_Sketch_of_New_Approach&amp;diff=10322&amp;oldid=prev</id>
		<title>Kjacob: First edition</title>
		<link rel="alternate" type="text/html" href="https://boseperformer.com/index.php?title=Earliest_Sketch_of_New_Approach&amp;diff=10322&amp;oldid=prev"/>
		<updated>2009-01-03T13:48:09Z</updated>

		<summary type="html">&lt;p&gt;First edition&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;This sketch was done by Lou G on tissue paper. Ken was describing to him our new concept for amplifying live music, long before it had been tested or received any approval to move forward with commercialization.&lt;br /&gt;
&lt;br /&gt;
Lou is a very gifted artist and industrial designer. Some of Bose&amp;#039;s most successful home entertainment products were done by him.&lt;br /&gt;
&lt;br /&gt;
He was sketching as Ken talked, sitting across from Ken at a conference table.&lt;br /&gt;
&lt;br /&gt;
Ken was looking at what he was drawing and couldn&amp;#039;t make heads or tails of it and was thinking to himself: does he get this?&lt;br /&gt;
&lt;br /&gt;
Then, shockingly, Ken realized that Lou was drawing UPSIDE DOWN, so that the sketch was correct for Ken sitting across from Lou.&lt;br /&gt;
&lt;br /&gt;
The reason Ken couldn&amp;#039;t figure it out is that his brain was assuming Lou was drawing right side up for himself.&lt;br /&gt;
&lt;br /&gt;
[[Image:lou_g_muzo_sketch.jpg]]&lt;br /&gt;
&lt;br /&gt;
When Ken dug out this sketch, for the longest time he could not figure out what the words meant scrawled at the bottom of the drawing.&lt;br /&gt;
&lt;br /&gt;
The words are in Lou&amp;#039;s hand, and he must have been taking notes.&lt;br /&gt;
&lt;br /&gt;
Ken was confused by what looked like &amp;quot;20 degrees C&amp;quot; at the end of the phrase.&lt;br /&gt;
&lt;br /&gt;
* Everything can be answer &amp;gt; look back to berfore the midda 20 degrees centigrade. &lt;br /&gt;
&lt;br /&gt;
And then it dawned on him.&lt;br /&gt;
&lt;br /&gt;
What it says is:&lt;br /&gt;
&lt;br /&gt;
* Everything can be answered. Look back to before the middle of the 20th Century. &lt;br /&gt;
&lt;br /&gt;
This is a reference to Bose&amp;#039;s work to understand the history of amplification and the problems that were getting in the way.&lt;br /&gt;
&lt;br /&gt;
What Bose ended up calling the &amp;quot;era of individual instrument amplification&amp;quot; was a natural extension of unamplified music. And things were ok.&lt;br /&gt;
&lt;br /&gt;
In its [[Music is Human]] presentation introducing the L1 concept, Bose used the Beatles at Shea Stadium as the breaking point -- when the popularity of the music exceeded the ability of the technology to deliver a good listening experience to huge crowds. It was the reaction to that commercial problem -- in place by Woodstock -- that spawned triple systems.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
[[Category:L1® Research Project History]]&lt;/div&gt;</summary>
		<author><name>Kjacob</name></author>
	</entry>
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