Dual Mono - Revision history

ST at 15:26, 22 September 2024

2024-09-22T15:26:08Z

← Older revision		Revision as of 15:26, 22 September 2024
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	:Dual mono (with the {{L1}} systems) is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization help more with clarity much more than the added gain.		:Dual mono (with the {{L1}} systems) is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization help more with clarity much more than the added gain.

	:For a single performer/single source it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent.		:For a single performer/single source, it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent.

	:-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998 Dual mono is usually not a good idea]		:-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998 Dual mono is usually not a good idea]

			=== Gain Before Feedback ===
			To optimize gain before feedback, each microphone should be heard through only one {{L1}}.

			Feedback occurs when the sound from the loudspeaker (or loudspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice. As you increase the number of loudspeakers a microphone is connected to (e.g., dual mono), you increase the possible paths for feedback and lower the gain before feedback.

	== Benefits of Two L1 Systems ==		== Benefits of Two L1 Systems ==
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	~~== Gain Before Feedback ==~~
	~~To optimize gain before feedback, each microphone should be heard through only one {{L1 NL}}.~~

	Feedback occurs when the sound from the loudspeaker (or loudspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice. As you increase the number of loudspeakers a microphone is connected to (e.g., dual mono), you increase the possible paths for feedback and lower the gain before feedback.

ST: /* Related reading */

2024-09-22T15:23:57Z

ST at 14:11, 13 April 2023

2023-04-13T14:11:52Z

← Older revision		Revision as of 14:11, 13 April 2023
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	{{Model II icon}}{{Compact icon}}{{L1 Pro icon}}		{{Model II icon}}{{Compact icon}}{{L1 Pro icon}}{{Bose Reviewed}}
	<div class="tocdiv">		<div class="tocdiv">
	<div style="max-width:250px">__TOC__</div>		<div style="max-width:250px">__TOC__</div>

ST: /* Related reading */

2022-09-29T06:33:40Z

ST: /* Related reading */

2022-03-07T01:23:13Z

ST at 08:15, 29 November 2021

2021-11-29T08:15:47Z

← Older revision		Revision as of 08:15, 29 November 2021
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	{{Model II icon}}{{Compact icon}}		{{Model II icon}}{{Compact icon}}{{L1 Pro icon}}
	<div class="tocdiv">		<div class="tocdiv">
	<div style="max-width:250px">__TOC__</div>		<div style="max-width:250px">__TOC__</div>
	<div >		<div >
	== Introduction ==		== Introduction ==
			<!--
	<div style="float:right;">[[File:L1ModelIISingleB1.png]][[File:L1ModelIISingleB1.png]]</div>		<div style="float:right;">[[File:L1ModelIISingleB1.png]][[File:L1ModelIISingleB1.png]]</div>
	This article pertains to Dual Mono with {{L1}} systems.		-->
			This article pertains to Dual Mono with all {{L1}} systems.
	=== {{L1}} Systems ===		=== {{L1}} Systems ===
	The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.		The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.

ST: /* Dual Mono */ {{Two L1 Systems}}

2019-03-27T13:57:14Z

Dual Mono: {{Two L1 Systems}}

← Older revision		Revision as of 13:57, 27 March 2019
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	:-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998 Dual mono is usually not a good idea]		:-- Source [https://www.bosepro.community/g/portable/topic/question-for-bose-techs?reply=18197182791860998#18197182791860998 Dual mono is usually not a good idea]


			== Benefits of Two L1 Systems ==

			{{Two L1 Systems}}

	==Related reading==		==Related reading==

ST: /* Related reading */ Two L1 Systems

2019-03-27T13:55:11Z

ST: formatting

2019-03-14T16:25:13Z

formatting

← Older revision		Revision as of 16:25, 14 March 2019
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	{{Model II icon}}{{Compact icon}}		{{Model II icon}}{{Compact icon}}
	<div class="tocdiv">		<div class="tocdiv">
	<div style="max-~~height~~:~~100%~~">__TOC__</div>		<div style="max-width:250px">__TOC__</div>
	<div ~~style~~=~~"max-height:100%">~~		<div >
			== Introduction ==
	<div style="float:right;">[[File:L1ModelIISingleB1.png]][[File:L1ModelIISingleB1.png]]</div>		<div style="float:right;">[[File:L1ModelIISingleB1.png]][[File:L1ModelIISingleB1.png]]</div>
	This article pertains to Dual Mono with {{L1}} systems.		This article pertains to Dual Mono with {{L1}} systems.
			=== {{L1}} Systems ===
	The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.		The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.
			===Non-{{L1}} Systems ===
	The {{F1}} and {{S1}} systems have narrower horizontal dispersion. If you space those systems apart or aim them to avoid overlap, this article is not applicable ~~to non-{{L1}} systems~~.		The {{F1}} and {{S1}} systems have narrower horizontal dispersion. If you space those systems apart or aim them to avoid overlap, this article is not applicable.

	</div>		</div>

ST: qualify - not F1 S1

2019-03-14T16:22:25Z

qualify - not F1 S1

← Older revision		Revision as of 16:22, 14 March 2019
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	{{Model II icon}}{{Compact icon}}		{{Model II icon}}{{Compact icon}}
	<div class="tocdiv">		<div class="tocdiv">
	<div>__TOC__</div>		<div style="max-height:100%">__TOC__</div>
	<div>		<div style="max-height:100%">
			<div style="float:right;">[[File:L1ModelIISingleB1.png]][[File:L1ModelIISingleB1.png]]</div>
	This article pertains to Dual Mono with {{L1}} systems.		This article pertains to Dual Mono with {{L1}} systems.
	: The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.

			The {{L1}} systems have extremely wide horizontal dispersion. As a result, running multiple {{L1}} systems in the same sound field may result in overlap. The comments below are applicable in that context.

			The {{F1}} and {{S1}} systems have narrower horizontal dispersion. If you space those systems apart or aim them to avoid overlap, this article is not applicable to non-{{L1}} systems.

	</div>		</div>
	</div>		</div>

	~~== Introduction ==~~

	==Dual Mono==		==Dual Mono==
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	Hilmar-at-Bose wrote:		Hilmar-at-Bose wrote:

	:Dual mono (with the {{L1}} systems) is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization ~~helps~~ more with clarity much more than the added gain.		:Dual mono (with the {{L1}} systems) is usually not a good idea, if you have more than one performer. With more than one performer/source it's in my opinion always preferable to separate the sources (i.e. one source per L1). The spatial separation and precise localization help more with clarity much more than the added gain.

	:For a single performer/single source it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent.		:For a single performer/single source it's not quite so clear cut. One will be more accurate (i.e. sound is clearly located at the performer's position, more consistent spectrum) and two will sound wider and more spacious. In the end, that is an artistic decision, depending on which one is closer to your artistic intent.

← Older revision		Revision as of 15:23, 22 September 2024
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	== Multiple Source Interference ==		== Multiple Source Interference ==
	{{:Multiple Source Interference}}		{{:Multiple Source Interference}}


			== Gain Before Feedback ==
			To optimize gain before feedback, each microphone should be heard through only one {{L1 NL}}.

			Feedback occurs when the sound from the loudspeaker (or loudspeakers if a microphone is connected to more than one) is louder at the microphone than the sound of the voice. As you increase the number of loudspeakers a microphone is connected to (e.g., dual mono), you increase the possible paths for feedback and lower the gain before feedback.

← Older revision		Revision as of 06:33, 29 September 2022
Line 36:		Line 36:
	== Two L1 Systems Overlapping ==		== Two L1 Systems Overlapping ==
	{{:Two L1 Systems Overlapping}}		{{:Two L1 Systems Overlapping}}

			== Multiple Source Interference ==
			{{:Multiple Source Interference}}


	==Related reading==		==Related reading==

← Older revision		Revision as of 13:55, 27 March 2019
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	*[[Can I Use It as a PA]]? (Cliff-at-Bose talks about Dual Mono)		*[[Can I Use It as a PA]]? (Cliff-at-Bose talks about Dual Mono)

			* [[Two L1 Systems]]

	*[http://bose.infopop.cc/eve/forums/a/tpc/f/8766055944/m/217104153/r/656105263 Stereo vs. Mono in a Live Setting]		*[http://bose.infopop.cc/eve/forums/a/tpc/f/8766055944/m/217104153/r/656105263 Stereo vs. Mono in a Live Setting]

← Older revision		Revision as of 01:23, 7 March 2022
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	{{Two L1 Systems}}		{{Two L1 Systems}}

			== Two L1 Systems Overlapping ==
			{{:Two L1 Systems Overlapping}}

	==Related reading==		==Related reading==