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	<id>https://boseperformer.com/api.php?action=feedcontributions&amp;feedformat=atom&amp;user=Dr.Rhythm</id>
	<title>Bose Portable PA Knowledge - User contributions [en]</title>
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	<updated>2026-04-06T00:33:52Z</updated>
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		<id>https://boseperformer.com/index.php?title=Pad&amp;diff=11325</id>
		<title>Pad</title>
		<link rel="alternate" type="text/html" href="https://boseperformer.com/index.php?title=Pad&amp;diff=11325"/>
		<updated>2009-05-25T16:40:09Z</updated>

		<summary type="html">&lt;p&gt;Dr.Rhythm: /* Do It Yourself */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;Q: What is a Pad? &lt;br /&gt;
&lt;br /&gt;
A &amp;quot;pad&amp;quot; is short for an &amp;quot;Attenuation Pad&amp;quot;. &lt;br /&gt;
&lt;br /&gt;
This is a device used to lower the signal level between two other devices. &lt;br /&gt;
&lt;br /&gt;
=== Padding {{PS1}} Inputs  ===&lt;br /&gt;
&lt;br /&gt;
We use pads with our {{PS1}}s when running a pro level +4 dBu signal (e.g. output from a mixer) to the XLR inputs on Channels 1 or 2. We want to do this because the input sensitivity for these inputs is set for microphones. To get a better match for levels between the source and our inputs, we can use a pad. &lt;br /&gt;
&lt;br /&gt;
Pads can also help when connecting the PS1 Line Outs to &#039;&#039;semi-pro&#039;&#039; or &#039;&#039;consumer&#039;&#039; recording devices. If the PS1 Line Outs are too &#039;&#039;hot&#039;&#039; for the recorder&#039;s inputs, a pad can be used to prevent overdriving those inputs into (clipping) distortion. &lt;br /&gt;
&lt;br /&gt;
A -20dB pad is also a good choice when connecting the PS1 Line Outs to a house PA, or other off-stage system. This would ensure that the house mixing console&#039;s inputs can handle the signal level without being overdriven into distortion, especially if the house console has insufficient built-in pads, or none at all. (Beware of the potential for Ground Loops here.) &lt;br /&gt;
&lt;br /&gt;
=== {{T1}} No Pads Required  ===&lt;br /&gt;
&lt;br /&gt;
{{:T1 ToneMatch® Audio Engine / XLR Inputs Sensitivity}}&lt;br /&gt;
&lt;br /&gt;
=== Daisy Chaining {{PS1}}s  ===&lt;br /&gt;
&lt;br /&gt;
Another application (although relatively rare) is if you want to connect the output of one {{PS1}} to input of another. Sometimes called &#039;&#039;daisy chain&#039;&#039;ing, you can connect the Line-Out of one {{PS1}} to Channel 1 or 2 of another. In that case you probably want to have a -20 dB pad inline, between the Line-Out of the first System and the Channel 1 or 2 XLR input of the second. See [[PS1 Powerstand / Daisy Chain]] for more information. &lt;br /&gt;
&lt;br /&gt;
You can find separate attenuation pads like this: &lt;br /&gt;
&lt;br /&gt;
[[Image:Pad.jpg]] &lt;br /&gt;
&lt;br /&gt;
Cost: $20-30 on the web &lt;br /&gt;
&lt;br /&gt;
Sources: &lt;br /&gt;
&lt;br /&gt;
*http://www.proaudiosolutions.com/product_p/impad20.htm &lt;br /&gt;
*http://www.musiciansbuy.com/WHIRLWIND_IMPAD20_IMPEDANCE_CONVERTERIMPAD20.html &lt;br /&gt;
*You might find something like this in a local music store if they have a Pro Audio department.&lt;br /&gt;
&lt;br /&gt;
This an example, and you will want to look into the details to determine if you need a pad, and the kinds of connections that are appropriate for your input device. &lt;br /&gt;
&lt;br /&gt;
== More Formal Definitions  ==&lt;br /&gt;
&lt;br /&gt;
&amp;quot;attenuator or attenuator pad Electronics. A passive network that reduces the voltage (or power; see usage note under gain) level of a signal with negligible distortion, but with insertion loss. Often a purely resistive network, although any combination of inductors, resistors and capacitors are possible, a pad may also provide impedance matching.&amp;quot; &lt;br /&gt;
&lt;br /&gt;
== Do It Yourself  ==&lt;br /&gt;
An inline pad can be easily soldered, you&#039;ll need to insert 3 resistors into your mic cable. The values of these three resistors are determined by the amount of attenuation you wish to achieve. Bose recommends -20dB of attenuation to bring a hot +4dBu balanced line level signal down to a voltage that the Bose PS1 (Classic) Mic inputs can handle.&lt;br /&gt;
&amp;lt;blockquote&amp;gt;&lt;br /&gt;
To build a -20dB attenuation pad insert the following three resistors into your XLR cable path.&lt;br /&gt;
&lt;br /&gt;
*Two 680 ohm resistors inserted into lines (pins) 2 and 3 &lt;br /&gt;
*One 150 ohm resistor inserted across pins 2 and 3&lt;br /&gt;
&lt;br /&gt;
To minimize the effect on common mode rejection, you should use 1% resistors, but common-ordinary 5% carbon film resistors will work. For microphone pad applications, 1/4 watt or less is fine.&lt;br /&gt;
&amp;lt;/blockquote&amp;gt;&lt;br /&gt;
&lt;br /&gt;
Source: [http://www.uneeda-audio.com/pads/ Rick Chinn / Uneeda Audio]&lt;br /&gt;
&lt;br /&gt;
&amp;lt;br&amp;gt; References: &lt;br /&gt;
&lt;br /&gt;
*[http://www.rane.com/par-a.html Rane Professional Audio Reference] &lt;br /&gt;
*[http://www.uneeda-audio.com/pads/ All About Pads]&lt;br /&gt;
&lt;br /&gt;
[[Category:Gear]] &lt;br /&gt;
[[Category:Mixer]] &lt;br /&gt;
[[Category:Terminology]]&lt;br /&gt;
[[Category:Pad]] &lt;br /&gt;
[[Category:XLR]]&lt;/div&gt;</summary>
		<author><name>Dr.Rhythm</name></author>
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