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	<title>Bose Portable PA Knowledge - User contributions [en]</title>
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	<updated>2026-04-05T22:29:48Z</updated>
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	<entry>
		<id>https://boseperformer.com/index.php?title=White_Papers&amp;diff=13875</id>
		<title>White Papers</title>
		<link rel="alternate" type="text/html" href="https://boseperformer.com/index.php?title=White_Papers&amp;diff=13875"/>
		<updated>2011-06-30T05:17:18Z</updated>

		<summary type="html">&lt;p&gt;ABCD: /* Other */&lt;/p&gt;
&lt;hr /&gt;
&lt;div&gt;== Bose White Papers ==&lt;br /&gt;
&lt;br /&gt;
=== L1&amp;amp;reg; ===&lt;br /&gt;
* {{Bose White Paper 1}}&lt;br /&gt;
&lt;br /&gt;
* [http://www.bose.com/pdf/musicians/Whitepapers/Line6-Bose_whitepaper.pdf Amplifying a Wide Range of Acoustic and Electric Guitar Sounds Across the Stage and Throughout the Audience with Little Change in Tone or Level] Marcus Ryle &amp;amp;mdash; Co-founder &amp;amp; Vice President of Product Development Line 6 Incorporated, &amp;lt;br /&amp;gt;Kenneth Jacob &amp;amp;mdash; Chief Engineer &amp;amp; Director Bose Live Music Technology Group&lt;br /&gt;
Summary: Amplified guitars are the source of some truly remarkable musical instrument&lt;br /&gt;
sounds. At the same time, we found they are the source of acoustical problems that&lt;br /&gt;
often prevent musicians and members of the audience from hearing the guitar as&lt;br /&gt;
intended...&lt;br /&gt;
&lt;br /&gt;
&amp;lt;!-- http://bose.infopop.cc/eve/forums/a/ga/ul/6781015315/whitepaperLine6.pdf  --&amp;gt;&lt;br /&gt;
&lt;br /&gt;
=== Other ===&lt;br /&gt;
Note: The following documents discuss the Bose® Panaray MA12 Modular Array. The information is of interest as it applies to line arrays and is applicable in that context. Please be aware that the {{L1}} is a portable line array. It is twice the height of the MA12 and has different characteristics than a single MA12. See also [[L1™ and the Panaray® MA12]]&lt;br /&gt;
&lt;br /&gt;
* [http://pro.bose.com/pdf/pro/app_notes/panaray_ma12/an_panaray_ma12.pdf Bose® Panaray® MA12 Modular Line Array: Technical Information and Polar Data]&lt;br /&gt;
One uses polar plots to describe the behavior of conventional speakers such as&lt;br /&gt;
constant directivity horns or small arrays built up using smaller transducers. Line&lt;br /&gt;
arrays produce cylindrical waves in the near field and therefore, the vertical polar&lt;br /&gt;
plots change as a function of distance. To describe the vertical radiation of a line&lt;br /&gt;
array an industry accepted method is to use validated modeling programs and paint a&lt;br /&gt;
picture of the radiation as a function of distance. This paper addresses the radiation&lt;br /&gt;
characteristics of the MA12 and in addition shows measured polar plots, on-axis&lt;br /&gt;
frequency response, controller curves, and impedance curves.&lt;br /&gt;
&lt;br /&gt;
* [http://pro.bose.com/pdf/pro/technical_papers/tp_panaray_ma12.pdf Bose® MA12 Modular Array: Technical Foundation &amp;amp; Discussion] Morten Jørgensen and Kenneth Jacob, Bose® Professional Systems Division &lt;br /&gt;
Summary:&lt;br /&gt;
THE Bose MA12™ modular array takes advantage of the properties of cylindrical &lt;br /&gt;
waves to meet customer requirements that until now could only be met with &lt;br /&gt;
loudspeakers flown and aimed in more elaborate and expensive designs. With only &lt;br /&gt;
two dimensions of dispersion rather than the three of the more common spherical &lt;br /&gt;
waves, the sound from cylindrical waves diminishes much more gradually with &lt;br /&gt;
distance from the source. As a consequence, listeners experience relatively little &lt;br /&gt;
change in sound level from far away from the MA12 to literally right next to it. The &lt;br /&gt;
same gradual change in sound with distance makes the MA12 less susceptible to &lt;br /&gt;
feedback from microphones in close proximity. The radiation pattern of the MA12 is &lt;br /&gt;
wedge-shaped: wide from side-to-side but sharply confined to the top and bottom of &lt;br /&gt;
the array. The vertical radiation virtually shuts off above and below the speaker. As a &lt;br /&gt;
result, much less reverberation is generated because almost no sound is radiated &lt;br /&gt;
upwards to distant surfaces in the upper part of the room. The result is noticeably &lt;br /&gt;
better clarity and intelligibility. The ultra-thin shape of the MA12 means it is easy to &lt;br /&gt;
hide; it may be the most unobtrusive speaker yet developed given its exceptionally &lt;br /&gt;
high output and full, balanced frequency response. The fact that the MA12 is placed &lt;br /&gt;
at ear level (so that listeners are confined within its wedge-shaped radiation pattern) &lt;br /&gt;
means that it can usually be installed for a fraction [http://www.ghostpapers.com/term-papers-site/term-papers-for-sale.html term paper for sale]&lt;br /&gt;
of the cost of more elaborate &lt;br /&gt;
‘flown’ loudspeakers and loudspeaker clusters. Finally, it can be matched to a low &lt;br /&gt;
frequency enclosure (Bose Panaray MB4) when extended bass performance is &lt;br /&gt;
needed. Taken together, these features and advantages result in a product that &lt;br /&gt;
represents an important new tool for satisfying the most basic and important customer &lt;br /&gt;
requirements in a wide range of common applications.&lt;br /&gt;
&lt;br /&gt;
----&lt;br /&gt;
[[Category:Reference]]&lt;br /&gt;
[[Category: MA12]]&lt;/div&gt;</summary>
		<author><name>ABCD</name></author>
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